May 18, 2023 VANTABLACK WARSHIP discuss “Last of the Hardmouthed Poets”, premiere new lyric video for “Gone”
May 17, 2023 “Who Deserves Balloons and Medals?” – a vivid journey through the eclectic world of MAD MEG
May 17, 2023 DAMIEN DONE unveils an eclectic blend of post punk, gothic rock, new wave with great new album “Total Power”
May 16, 2023 Into the twisted realm by enigmatic Danish project MARTRE – enter the nightmare of “Ofelia”
May 15, 2023 Finnish metalcore / hardcore pack HEATHEN HEARTS premiere new EP “No Light Left to Chase”
May 12, 2023 Corporate Sponsored Sunday School: Walker and Wylde’s deconstructive journey fueled by hope
May 5, 2023 From Oasis, to Hum and Underoath – CLEARBODY shares 9 inspirational artists, new single streaming
May 5, 2023 “Young Drugs” – DAMIEN DONE steps into a dark dance of addiction and obsession with final single from new album
May 5, 2023 Australian emo indie punk rockers NO ACTION premiere new song “III”, discuss Adelaide alt scene, new split with AMID THE OLD WOUNDS
May 4, 2023 Czech screamo act ZMAR reinterpret “The world is a beautiful place” by Lawrence Ferlinghetti into a dark new opus “Báječné Místo”
April 28, 2023 “When All Is Said And Done” – SCENARIO discusses one of the strongest screamo debuts of the year
April 28, 2023 Straight edge band SUFFOCATE FASTER returns with first new single in 16 years, the band reflects on the past and present of hardcore
April 27, 2023 “Every Dusk, Every Dawn” – experimental post-everything band THE GREAT MONTANA COLLAPSE break down latest EP
April 26, 2023 BLACK BIRCH – epic post black metal duo delivers a captivating, intense journey with “SOIL”
April 25, 2023 Two chords and the truth – watch new music video for “Hidden Track”, by Seattle’s DEAD BARS
April 25, 2023 Jacek Radomski (APRIL / ZŁODZIEJE ROWERÓW) discusses the new re-issue of “Kill Depression” (Pasażer Records)
April 24, 2023 Pushing the boundaries of the post-punk – an interview with Chicago dark wave rockers BLEACHED CROSS