BEHEMOTH will kick off a massive North American expedition supporting Slayer and Lamb Of God. The trek will commence tomorrow, July 12th in Bemidji, Minnesota, and make its way through over two dozen cities, coming to a close on August 20th in Phoenix, Arizona. Log on to www.slayer.net/tour for all purchasing details.
7/12/2017 Sanford Center – Bemidji, MN7/13/2017 The Cabooze – Minneapolis, MN * BEHEMOTH only
7/16/2017 Chicago Open Air Festival @ Toyota Park – Chicago, IL7/17/2017 20 Monroe – Grand Rapids, MI * no slayer7/18/2017 Express Live! – Columbus, OH
7/20/2017 Red Hat Amphitheater – Raleigh, NC
7/21/2017 St. Augustine Amphitheater – St. Augustine, FL
7/23/2017 Electric Factory Outdoors – Philadelphia, PA7/24/2017 M Telus – Montreal, QC * no Slayer
7/25/2017 Blue Hills Bank Pavilion – Boston, MA
7/27/2017 Theater at Madison Square Garden – New York, NY
7/28/2017 Pier Six Pavilion – Baltimore, MD
7/30/2017 Municipal Auditorium – Nashville, TN7/31/2017 The Pageant – St. Louis, MO * no Slayer
8/01/2017 Providence Medical Center Amphitheater – Bonner Springs, KS
8/02/2017 1st Bank Center – Denver, CO
8/04/2017 The Joint/Hard Rock Hotel – Las Vegas, NV
8/05/2017 The Forum – Los Angeles, CA8/08/2017 Vina Robles Amphitheatre – Paso Robles, CA
8/09/2017 Bill Graham Civic Auditorium – San Francisco, CA
8/11/2017 The Cuthbert Amphitheater – Eugene, OR
8/12/2017 WaMu Theatre – Seattle, WA
8/14/2017 Encana Events Center – Dawson Creek, BC
8/15/2017 SMS Equipment Stadium – Fort McMurray, AB
8/17/2017 KettleHouse Amphitheater – Missoula, MT8/18/2017 The Complex – Salt Lake City, UT * no Slayer
8/19/2017 Isleta Amphitheater – Albuquerque, NM
8/20/2017 Comerica Theatre – Phoenix, AZ
BEHEMOTH has been carving out their claim as one of the world’s top extreme/black metal bands since their inception in 1991. That claim was solidified in 2014 with the release of the band’s tenth album, The Satanist. The record marked their triumphant return following front man Adam “Nergal” Darski’s battle with Leukemia. “The Satanist is magic. It’s dangerous. It’s adventurous, and it’s organic,” states Nergal. While instantly recognizable as the work of the Polish blackened death quartet, it takes their sound in previously unimagined and riveting directions. A writhing, densely layered, brutally violent and sinister record, it is quite unlike anything ever unleashed within the canon of heavy music. As such it demands attention, offering ever greater sonic and emotional depths with every listen. This is evident in the band’s videos for the title track, as well as “Messe Noir” and “Ben Sahar.” Nergal continues, “You may hear the title and think it’s very primitive and one-dimensional, and yes it is, but when you look beyond that it’s as primitive as it is complex and multidimensional, and that applies to everything about the record.”
