June 9, 2026 Staycation: VOLYNKA discuss Fugazi, Bierce’s Devil’s Dictionary, and a record about confinement that grew out of post-lockdown years in Athens
June 9, 2026 Like boys like girls like boys like girls’: an essay by Genevieve Glynn-Reeves of GEN AND THE DEGENERATES
June 8, 2026 The French post-metallers LOST IN KYIV discuss the fifth album, new drummer, a Jung sample, and more
June 5, 2026 Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
June 5, 2026 New wave goth rockers VELVET MIST unveil a five-track concept EP about almost losing the light
June 4, 2026 Dresden hardcore powerhouse RISK IT! drop “The Bottom Line”, new LP on War Records coming up!
June 3, 2026 IF THESE TREES COULD TALK break their no-vocals rule on “Blurry Creatures”, “The Hidden Hand”, first album in a decade coming up!
June 3, 2026 Australian synth post punks SCREENSAVER send a mid-tour dispatch from Europe, reflect on community, landlords, and why creative expression matters
June 3, 2026 Swedish post rockers OH HIROSHIMA talk T.S. Eliot, church organs, and pulling tracks out of the archive on their new album
June 3, 2026 Milwaukee noise rockers PRIMITIVE BROADCAST SERVICE explain the field recordings, fire escapes, and ICE response that shaped “Monsters”
June 3, 2026 MISERE debut “Lichtschacht”, a German-language post-hardcore track about strength in togetherness
June 3, 2026 Manila straight edge band FIGURE OUT storms “Through The Tides”, with Pat Flynn, Riz of Eskrima and Kyo of Monument X across three tracks
June 2, 2026 50 years of hard drinking: The Real McKenzies return with “On Yer Bike,” their first album after Paul got sober
June 2, 2026 Emo punk rockers RACOONHEAD premiere “Same Old Haunts” video, shot on a live Melbourne airport runway
June 1, 2026 SINECURES made “Brace” for two bottles of tequila, fuelled by a professor’s unease with big tech
June 1, 2026 DEARHEART trace the later stages of grief on their second album “Until All the Light in Us Is Given Up”
May 29, 2026 THROWNNESS ulock “Marrow Part II”, a place for the dead, somewhere between Neurosis and Dylan Thomas
May 29, 2026 PROMISE premiere “Chlorine”, discuss catharsis, control, and Italy’s growing hardcore scene
May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container
May 28, 2026 HEALING WOUND talk through eight songs of depression, dissociation and forgiveness on “Bodies of Heavenly Violence”
May 28, 2026 Cleveland’s RITUAL BRONZE close their debut with “Tortured Artist,” a song about a life spent in bands
May 27, 2026 From a secondary school music department poster to a 15,000-cap arena in Leipzig: Adam Jones and Dylan Plenty on a decade-plus of COBER MOUTH