Endless Fest lands at TV Eye in Brooklyn on June 12, 13 and 14 with twenty-six bands playing for free across three nights to raise money for ABC No Rio. The Lower
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For most of the site’s run, the IDIOTEQ archive has lived as one long chronological feed, with every article we’ve
Tour diaries do a specific job. They give us access to the parts of touring nobody puts on a poster.
Working title was “Hate Is Not Enough.” That’s what Eternal Struggle had been carrying into the writing sessions for their
Terminal with Benefits opens like a horror movie. Alessandro Incorvaia’s bass drops a series of harsh slaps, David Thair’s drums
The first sound on ‘Monolith‘ is a crash. ‘Lithobraking,’ the album’s instrumental opener, captures the exact second a ship punches
Cornelius had two colleagues he saw regularly. One hated pineapple on pizza. The other hated Bon Jovi. He happens to
King Sans’ debut opens in a dark room lit by a single lamp. Two figures step out of the shadow.
A music festival has always felt bigger than the bands that infest the lineup. Regardless of whether the festival in
“Now that I look back on the record, there is a lot of nature imagery,” George Pettit says. He clocked
Manfred Engelmayr was in Berlin in the early 2000s with no fixed plans. He traveled around helping people build houses
track by track
The main riff on The Bottom Line took a couple of rewrites before it sat right. Once it did, Risk It! had the first song written for Mercy For None, and everything
Premieres
Narrow Arm start with a room. “Ticking Clock” comes from three players tracking primarily live inside Distorted Forest Studio, a barn in the Rhode Island woods that Jared has spent 12 years turning into a recording space. The song carries that choice in its
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Gom Jabbar, the chiptune-punk duo of Stormo’s Federico Trimeri and Kenobit’s Fabio
Studio B at Electrical Audio has a two-story concrete live room with
Man Looking Man recorded their self-titled debut on a rooftop in West
A firefighter started journaling at the firehouse about what emergency work does
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Interviews
In 2024, FUET! had eight monthly Spotify listeners. The same year, the Madrid band were picked as one of six acts out of 1,600 applicants to play Mad Cool, one of Spain’s biggest international crossover festivals. Their set clashed with Avril Lavigne. The tent
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Hunter Martinez has a line that keeps coming back when he talks
The first notes of Gyozaβs new songs pulled me, almost against expectation,
A woman throws knives at children. The footage is American, public domain,
“Pedophiles run the nation / leading us to damnation.” That’s how Samadhi
