Warm, slow-burning psych-pop with soft falsettos, dusky guitars, synths moving like light across a room, and enough weight underneath to keep it from floating away. That is where Meltt land on “Pathways,” their
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Straight from Oklahoma, the Tulsa-based noise-rock duo Honduh Daze drop their new single, “DATA PLAN” – an explosive, philosophical track
“PARASITA” opens DEAFKIDS’ new album with a guitar riff inspired by Moroccan Gnawa trance music, laid over the rhythm of
Every record hubris. have made until now lived inside Greek mythology. “White Shores” doesn’t. The fifth album from the Swiss
El Tyler genuinely hit upload because they couldn’t stop editing. Two years in a bedroom, an audio interface pulled out
Loversteeth’s earlier work moved like weather. Long pressure drops, layered builds, the storm finally landing somewhere around the bridge. “Closer
Studio B at Electrical Audio has a two-story concrete live room with natural reverb the engineers build half the record
Reid plays guitar in Night Idea. He also used to be in Eli York-Brown’s stepdad’s band, fixed Eli’s guitar for
Four untitled songs, 21 minutes, one side of a 12″. Eretia built “The Autumn of Civilization” the way you’d build
Across Canada, independent venues are disappearing. Sneaky Dee’s in Toronto is fighting for its life to not be turned into
French screamo has a particular way of getting in early. A few seconds of ringing tension, a voice already close
track by track
Foreign Film take their name from a song on Will Haven’s 1997 debut “El Diablo”, which gives you most of what you need to know about Jeff Irwin’s intentions for the project.
Premieres
Lou Rogai went back to the old tapes and found riffs he had written with Brian Craig on a practice recording from more than 30 years ago. The riffs were incomplete. Craig, Side Over‘s original drummer, had been gone for years. Out of those
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Man Looking Man recorded their self-titled debut on a rooftop in West
A firefighter started journaling at the firehouse about what emergency work does
The Dharma Chain spent ten days at Funkhaus Berlin earlier this year,
“The Bottom Line” is the first thing anyone outside the room is
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Stabber wrapped recording on “EP II” right before Endless Tinnitus moved out of its old room at the end of last year. Their drummer Johannes had been in the band for a few weeks. They could have asked Tibor, their previous drummer who already
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Gord Taylor builds “Made in Hell” from distance, old lessons, and bagpipes without Scotland attached
There is a very specific kind of bagpipe player who can describe
“Silence Before Rebirth” was already sitting inside Hold Me Tight before Fran
The CSO Bocciodromo in Vicenza came down a few weeks ago, demolished
Press play on Agarwaen and the comparisons line up fast: Slipknot in
