This song is about a nuke going off in Pittsburgh and my partner and I accepting our fate. With all the recent world news headlines it had me thinking what we would
This song is about a nuke going off in Pittsburgh and my partner and I accepting our fate. With all the recent world news headlines it had me thinking what we would
There’s a strand of hardcore coming out of Central Europe right now that trades speed for weight. Records where the
The volume on “Fragment” starts low, and Astoria left it that way on purpose. The intro sits at conversation level
Vocals on “The Anatomy of an Atomic Heart” shift fast. Clarissa handles the harsh side. Guitarist Brandon takes the clean
You could try to plot Overton somewhere between Danzig and the shout-along end of melodic punk. Piebald, Antillectual, and The
On the cover, the Louisiana state capitol and the Mississippi river bridge stand behind streets drawn corrupt and treacherous. That
Mik was on her back trying not to move. Sebastian Pielnik, the B camera operator, stood above her aiming for
New York runs on people it would rather not see. The ones who clean the buildings they will never afford
A faceless head, monochrome, with red handwritten script running across it: that is what Alberto Becherini handed back after If
Forked River is not a big place, but on most weekends there is a show, sometimes two. In one small
The record opens somewhere low. Alienation, disappointment, the kind of self-loathing that follows you around and keeps talking after you
For most of the spring, Tano!‘s fourth album existed as a stack of boxes hidden in a basement somewhere in Catalonia. The vinyl was pressed, the sleeves printed, and the two people
I’ve hollowed out my head. I’ve hollowed out my dead heart. It’s flatlined, but I’m fine. I’ve sawed off my legs. In blood, I crawl to you. My image of a man. That’s the opening of “100 Percent Wool”, the first track on Hiss’s
Read More →Cornelius had two colleagues he saw regularly. One hated pineapple on pizza.
King Sans’ debut opens in a dark room lit by a single
Narrow Arm start with a room. “Ticking Clock” comes from three players
Gom Jabbar, the chiptune-punk duo of Stormo’s Federico Trimeri and Kenobit’s Fabio
Spend enough time in a magazine whose backbone runs through post-hardcore, hardcore and screamo, and it starts to look like that’s the only music we can talk about. It isn’t. Plenty of us still get excited about an Oasis reunion. Some of us still
Read More →Every weekday morning, Jack Grisham gets on a call with Paul Roessler.
Working title was “Hate Is Not Enough.” That’s what Eternal Struggle had
Manfred Engelmayr was in Berlin in the early 2000s with no fixed
The last word on the lyric sheet is also the trap: “again”.