For most of this band’s run, the wobbliest person in any Real McKenzies room was the one holding the microphone. Paul McKenzie has flipped that. The Vancouver group’s founder and frontman since
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The French post-metallers LOST IN KYIV discuss the fifth album, new drummer, a Jung sample, and more
Maxime Ingrand had been thinking about the spelling for three or four years before he finally said it out loud
On every Omit All release until now, Dave Klyman handled production himself. For “Lights Up on The End Stage,” the
Jude wrote “t’other side” after every other song on the upcoming Had Sandy debut album. By the time it was
A firefighter started journaling at the firehouse about what emergency work does to a person over time, and what it
The Dharma Chain spent ten days at Funkhaus Berlin earlier this year, often working until three or four in the
Velvet Mist’s second EP arrives today on hand-numbered vinyl, and its shape depends on something the listener has to physically
“The Bottom Line” is the first thing anyone outside the room is hearing from Risk It’s new album. It’s also
The voices that open “Blurry Creatures” belong to drummer Zack Kelly’s children. They were recorded after the rest of the
Australian new wave synth post-punks screensaver are ten days into a European tour and have stopped for three days in
A lot of the songs on Oh Hiroshima’s new album have been waiting somewhere in Jakob HemstrΓΆm’s archive. The opener,
track by track
J.D. Morgan was on the fire escape outside his Milwaukee apartment, three stories up, working through a guitar piece he’d been fleshing out at home. Gunshots came from the parking lot of
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A Lichtschacht is a narrow column of sky visible from the bottom of a basement stairwell. That’s the image the new German five-piece Misere have picked to plant their flag with on their debut single, a name that says there’s light up there even
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The video for “Same Old Haunts” was shot on a runway at
The economics of a Sinecures record come down to this: one bottle
Mid writer’s block, during practice, Harry was scrolling his phone looking for
The last song Ritual Bronze wrote for their debut started as homework
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THROWNNESS ulock “Marrow Part II”, a place for the dead, somewhere between Neurosis and Dylan Thomas
By the time Thrownness tracked their first EP, the whole thing already existed on paper. KΓ©vin Guimet had written all six songs that would carry the project, and the plan was always one body of work split across two releases. “Marrow” (2024) put out
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The Thirsty Giants spent one weekend in October tracking their first proper
On the live session premiering today, Hugh Lovric spent the recording unable
The alarm in βBoot Checkβ goes off at 4 a.m. βLace my
A year ago Cober Mouth were playing small village festivals in the
