To call Dumb Waiter just another noise rock band is to say nothing at all. The Richmond, Virginia four-piece open their new record with a sombre, saxophone-led passage that sits still long
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Looking for different points of view, and peering into corners of music scenes that can appear deceptively similar from a
Forrest Yingling was 15 when a friend’s dad drove him and four other teenagers to see Green Day at the
There is a small moment inside “Loss In Space” where Cluv Deego can be heard telling bassist Dudesblood Moonbear when
High Vis, Bad Religion and The Offspring shared the stage. What united the day was everything happening in front of
Kali Yuga, Buddhafield and a Messiah complex run through the titles on Viscera///‘s fourth album, but none of them promise
“Urban Abyss” starts with someone trying not to give in to failure. By the end, humanity has contacted unknown beings
At a bus stop somewhere on Long Island, Dimming set up LED strips, a portable power bank and enough loose
Every song on “Collecting Sentiments of a Derailed Past” had been written, recorded, mixed and mastered before Russ Weisenthal’s mother
The missing space in the title carries the idea behind Brec Destroyer’s new single with Void.404. The lyrics give grief
Over the years, a lot of winged eyeliner has been drawn on to the gritty sounds of L7. And, if
track by track
Keziah “KZ” Staska was at home, surrounded by peace, love and joy, and had no idea how to write another Dreamwell record. “The first song I wrote for the album was ‘Plath,’
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There’s a strand of hardcore coming out of Central Europe right now that trades speed for weight. Records where the pulse slows, the chords sit longer, and the lyrics start to read like pages you’d sit with in a quiet room. Brach from Offenburg
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The volume on “Fragment” starts low, and Astoria left it that way
Vocals on “The Anatomy of an Atomic Heart” shift fast. Clarissa handles
Mik was on her back trying not to move. Sebastian Pielnik, the
No guilt. And no more screaming. I’m not yours. I don’t owe
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“SMELL THE SWEAT OFF MY SKIN / THAT’S THE STENCH OF THE WORKING CLASS.” John Rojas wrote that for “Voyeurism”, and he wrote it without deciding in advance to write about work at all. “When we first started writing, we didn’t have a starting
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Low, heavy bass under blunt drums, with a guitar cutting angular lines
On the cover, the Louisiana state capitol and the Mississippi river bridge
New York runs on people it would rather not see. The ones
Forked River is not a big place, but on most weekends there
