About halfway through “Paraphrasing the Skeleton,” the anchor track on Edmonton band awaywithroses’ debut EP “My Involvement With Witchcraft,” vocalist Colten lands on: “metal face, regression on repeat / a recession in
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Gord Taylor builds “Made in Hell” from distance, old lessons, and bagpipes without Scotland attached
There is a very specific kind of bagpipe player who can describe his father’s formal pipe band uniform in loving
So you went looking for something original, awkward, and wired slightly wrong again? Good. Here’s Boi Toi: grunge dragged through
“Silence Before Rebirth” was already sitting inside Hold Me Tight before Fran knew what it was about. The Sardinian hardcore
Warm, slow-burning psych-pop with soft falsettos, dusky guitars, synths moving like light across a room, and enough weight underneath to
hairpin’s new single starts in a boxing ring. “Meet me in the ring, ready for another round,” Adam Edwards sings,
Foreign Film take their name from a song on Will Haven’s 1997 debut “El Diablo”, which gives you most of
Endless Fest lands at TV Eye in Brooklyn on June 12, 13 and 14 with twenty-six bands playing for free
Lou Rogai went back to the old tapes and found riffs he had written with Brian Craig on a practice
The last words an African grey parrot named Alex ever said to his handler were “You be good, I love
The CSO Bocciodromo in Vicenza came down a few weeks ago, demolished to clear ground for high-speed rail construction. For
track by track
Alex MacDonald asked Rowen Kahn to join Mermaid Island before she’d heard him play a note. They met one October night at El Coyote in Hollywood, a mutual friend was hosting a
Premieres
Man Looking Man recorded their self-titled debut on a rooftop in West Berlin. The studio belongs to their bassist Maurizio Bergmann, who also engineered, mixed and mastered the record, so every stage of production stayed in the band’s hands. The album lands on June
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A firefighter started journaling at the firehouse about what emergency work does
The Dharma Chain spent ten days at Funkhaus Berlin earlier this year,
“The Bottom Line” is the first thing anyone outside the room is
A Lichtschacht is a narrow column of sky visible from the bottom
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Interviews
What follows is an essay by Genevieve Glynn-Reeves, vocalist of North-west art-punk trio Gen and the Degenerates, written to accompany the band’s new single “Favourite Jumper” via Marshall Records. Running as she sent it. Track credits, video, and tour follow at the end. In
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The French post-metallers LOST IN KYIV discuss the fifth album, new drummer, a Jung sample, and more
Maxime Ingrand had been thinking about the spelling for three or four
Velvet Mist’s second EP arrives today on hand-numbered vinyl, and its shape
The voices that open “Blurry Creatures” belong to drummer Zack Kelly’s children.
Australian new wave synth post-punks screensaver are ten days into a European
