Interviews

Metal act BREC DESTROYER returns after 17 years with a song he couldn’t finish until now

2 mins read

Brec Destroyer spent 17 years unable to finish one song. He’d write fragments, attempt another verse, then collapse under the weight of what he was trying to say. The song was about his mother, who died by suicide when he was younger, and every time he touched the material, the emotional floor gave out beneath him. So he stopped. He avoided it completely, returning only during moments when life broke him again—failures, depression, the kind of seasons where survival feels negotiable. Each time, he realized the same thing: the song wasn’t ready because he wasn’t ready.

This year, something shifted. “I finally understood that the song wasn’t meant to heal me,” he says. “It was meant to speak through me. That’s when I knew it had to be finished, no matter how painful it was.”

Mother” isn’t about the moment of death. It’s about what comes after—the silence, the guilt, the unanswered questions that settle into your bones and don’t leave. The song exists outside easy genre classification, landing somewhere between deathcore and modern metal, but its real territory is vulnerability. There’s no armor here, no anger used as defense. Just the aftermath of loss, presented without distance or deflection.

Brec Destroyer

The track was written gradually, in pieces, across nearly two decades. Brec Destroyer had stepped away from the public music scene years ago, pulled under by life, survival, and emotional weight that made creating feel impossible. But music never left him. “This song brought me back,” he says, “because returning without telling this story would feel dishonest. ‘Mother’ had to be first. Anything else would’ve been hiding.”

He worked with Jasmin Mišić on the music, who built something that carried emotion without excess, leaving space for pain to breathe. Production came through Mighty Mouse Production, shaping the sound so it stayed heavy but never aggressive for brutality’s sake. The heaviness exists because grief is heavy. The goal wasn’t to impress—it was to carry weight.

Brec Destroyer

The accompanying video represents absence rather than presence, memory rather than reality. Some scenes intentionally feel empty or unresolved, because grief never resolves cleanly. There’s no closure in losing a parent that way. Only learning how to live with the echo.

Brec Destroyer is from Croatia, lived in Ireland, currently based in Austria, and has always existed slightly outside of any strict scene. The local metal community shaped his resilience early—you learn quickly to build things yourself. That independence pushed him toward honesty over trends, toward making work that says something real rather than checking boxes.

“‘Mother‘ is not about death itself,” he explains. “It’s about what happens after. The silence. The guilt. The unanswered questions. The feeling that a part of you disappears forever.”

What he hopes happens when someone hears it is simple: that they feel less alone. If even one person pauses before hurting themselves, or decides to talk to someone, then the song has already done its job. He doesn’t position himself as a spokesperson or authority, only as someone who lived through the aftermath and survived it.

At its core, “Mother” delivers a clear message: prevent suicide, talk to someone, you’re not alone.

Brec Destroyer

The release marks the official return of Brec Destroyer and the beginning of a new chapter built on honesty and authenticity. “Mother” is both a standalone statement and the opening of something different. Everything that follows will shift musically, but this song sets the emotional foundation. It’s the reason the Brec Destroyer project exists at all.

The pain didn’t disappear when he finished the song. But it stopped controlling his life.

Karol Kamiński

DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels.
Contact via [email protected]

Previous Story

Digging yourself out of depression, with PIPE BOMB’s “I Will Kill The Worst Parts Of Myself,”

Next Story

HATESPEECH’s “Orange County” tracks suburban paradise watching civil war inch closer through a screen