February 20, 2026 Art rockes GLEN name their fourth album after the opening line of Orwell’s “1984” – and mean every word of it
February 20, 2026 NIGHT MIRRORS blend shoegaze fog with doom weight and post-hardcore screams on their debut EP
February 19, 2026 Italian metal beast RISE ABOVE DEAD bring back their original vocalist after a decade of instrumental mutation
February 19, 2026 THE WINONAS recorded their second album in a spare bedroom, then built a scene around it
February 18, 2026 50 DAYS AT ILIAM channel early 2000s metalcore heat on their self-recorded debut demo
February 18, 2026 NJ emo rockers STILL FEEL GONE discuss “Presley”, a record about losing people and needing to make music anyway
February 17, 2026 Behind “Disco II – Monomyth”, the excellent new album by LA PETITE MORT / LITTLE DEATH
February 16, 2026 DEATH OF YOUTH confront the outside world and unfinished personal business with “Nothing Is The Same Anymore”
February 13, 2026 Recording with 15 mics, a rewired guitar amp and some shotgun shells – behind “Perseus 9”, by EPIMETHEUS
February 13, 2026 PUSH! deliver one of the year’s sharpest crossover hardcore records with “Plowing Ahead”
February 13, 2026 Maulén recorded a grand reinterpretation of Oum Kulthum’s “Enta Omri” across Morocco – here’s how place shaped every second of it
February 13, 2026 SADFACE debuts “Draped in the Hollow”, turning emotional weight into cinematic sound
February 13, 2026 Shoegazers FOOLSPRING unleash “Flytrap,” a slow wreckage of a love that shouldn’t last
February 13, 2026 BOUND2VIOLENCE dropped their debut EP and the Inland Empire’s hardcore floor is shaking
February 12, 2026 SUGAR HORSE announce “Not A Sound In Heaven,” share massive new single “Secret Speech”
February 5, 2026 SIXPOINTS refuse genre borders, building “Negative Space” from bluesy riffs, spoken word, and owl calls on a small Canadian island
February 5, 2026 MIDDLE-AGED QUEERS turn Mazzy Star’s “Fade Into You” into an early Jawbreaker tune ahead of Valentine’s Gay shows
