“Shadow of Life” is the ten song debut album from UMBRA VITAE (Jacob Bannon of Converge, Wear Your Wounds, Mike McKenzie of The Red Chord, Wear Your Wounds, Sean Martin of Twitching Tongues, Wear Your Wounds, ex-Hatebreed, Jon Rice of Uncle Acid & the Deadbeats, ex-Job for a Cowboy, and Greg Weeks (The Red Chord)), recorded and mixed by Kurt Ballou at God City Studios. Guitars and bass were recorded by Mike McKenzie at The Black Coast. The album was mastered by Brad Boatright at Audiosiege and is now available for streaming below!
Intro โDecadence Dissolvesโ is a Schuldiner-esque calm before the storm. โEthereal Emptinessโ and โAtheist Aestheticโ soon rip everything apart, methodically downshifting from blackened to brutal in tone.
โMantra of Madnessโ then emerges as a monster of a song, driven by inhuman drumming and traditional death metal riffing.
It takes a special band to mercilessly beat and cerebrally torment in equal measure.ย Umbra Vitaeย certainly packs as much intensity as possible into under 30 minutes, butย Shadow of Life looks beyond blunt force trauma. For every grimacing mosh riff, thereโs a reprieve of emotional relevance. Every blitz-speed blast section maintains a moody undercurrent. These guys use their experience and chemistry to elevate an aural stampede into a deeply gratifying experience. / MetalInjection.net
This pattern of intensity continues in โFear is a Fossilโ, โPolluted Paradiseโ, and โIntimate Infernoโ. All are motion sickness inducing numbers that violently lurch in aural agony. Itโs here one realizes that this album never lets up. โReturn to Zeroโ takes it to another level, viciously grinding as the lines โReturn to zero, bite down on the chain, bow down to no oneโ repeat as mantra. This leads to โBlood Blossomโ an amalgamation of metal ferocity and hardcore spirit that could very well be the heaviest track of them all. Infectious closer โShadow of Lifeโ then screams in terror as it tells the tale of the internal battle of the dark and light within us all.
“Sickness and perversion creep through the gates/In black gowns. And the beds bear/The tossing and the moans of much wasting/They run with the buckling of death.” That eerie imagery highlights Harper’s Magazine’s English translation of “Umbra Vitae,” the 1912 poem from German Expressionist Georg Heym. For Jacob Bannon โ frontman of hardcore stalwarts Converge and founder of taste-making heavy-music label Deathwish Inc. โ the mood of that piece lingered for years, helping inspire a new band with a similarly intoxicating darkness.
Shadow of Life, the debut LP from death-metal quintet Umbra Vitae, updates that poem’s “semi-dystopian vision” for the Trump era, meditating on how backward-looking customs and a blanketing void of compassion restrict human beings from reaching a higher plane of potential. And its messages arrive at a chilling time. In March, before the album’s release, Bannon reflects on these lyrical themes โ and the poem that lit their fuse โ as the world grapples with a coronavirus pandemic that’s infected thousands, killed a small percentage of patients and altered the daily habits of almost everyone. He’s concerned by the dangers of “serious mania” accompanying the spread, along with the apathetic response he sees from those unwilling to employ reasonable preventive measures. / RevolverMag.com
UMRA VITAE is:ย Jacob Bannon: Vocals, Lyrics; Mike McKenzie: Guitars, Vocals; Sean Martin: Guitars, Vocals; Greg Weeks: Bass; Jon Rice: Drums
Shadow of Life has a rather short runtime which greatly complements the abrasive and unrelenting heaviness that consumes the entirety of the album. In the same likeness, Umbra Vitae draws influence from each memberโs previous band, coalescing into a product of mass composition that doesnโt shy away from the songwriting vein of its predecessors. Lastly, the record puts the pedal to the metal from its introduction and shows no signs of restraint through the entirety of its tracklist. / SputnikMusic.com
Umbra Vitaeโs fantastic debut is a pure barnburner of a death metal record. Skeptical as I may be of this type of band configuration, Shadow of Life has added another deep and bloody notch to the all-too-bare wall of fame for metal supergroups that actually work. I will be spinning this record for many months to come, as will most death metal fans willing to give it a fair shake. Shadow of Life is well worth your time, and a record that I will continue to highly recommend to anyone looking for yet another death metal shock to the system in an already banner year for the genre. / HeavyBlogIsHeavy.com
Few songwriters in heavy music can write about the heart-crushing agony of human relationships as poetically as Bannon, and the bleak atmospheres and bleaker refrain of โBlood Blossomโ (it repeats the phrase โDo not resuscitateโ) make cutting ties feel as pleasant as ripping off a Band-Aid thatโs been upgraded to industrial-grade adhesive. The music may be fun and gamesโat least if you consider death metal funโbut the title track, which closes Shadow of Life, tackles some of the albumโs heaviest subjects as it spins into a powerful, chaotic rumination on our inner conflicts and struggles. / ChicagoReader.com
Is Umbra Vitae greater than the sum of its parts? Probably not. But any fan of death metal will find something to love about Shadow of Life, which hopefully will give this supergroup more staying power than most. / Exclaim.ca
This rapid pace defines the first half of the album, though the last few songs allow the band to open up the slightest bit of melody with strong lead guitar work. With a running time around 25 minutes, Shadow Of Life barrels through its ten songs with a snarling attitude intact. This is not merely an example of a group cobbled together, but experienced, confident musicians showcasing their love of death metal. / HeavyMusicHQ.com
Umbra Vitae make hardcore-inclined death metal of such hunger and ferocity that it belies the age of the men behind it. Rather than being comparable to bands like Converge or Job for a Cowboy, the quintetโs first full-length has more in common with the volatile drive of Venom Prison and Cult Leader. While most supergroups strive to retread their genreโs past glories, Umbra Vitae appear capable of keeping up with the current generation of sonic extremists. / StereoBoard.com
