Please go to your post editor > Post Settings > Post Formats tab below your editor to enter video URL. Latest NOLIFE – “My Favorite Knife” playthrough September 6, 2012 1 min read Playthrough of the song “My Favorite Knife” from NOLIFE‘s debut EP can be seen below. We reported about their preparations for debut EP at this location. More news from the band coming soon! Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: hardcoremetallic hardcorenolife Karol Kamiลski DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in June 8, 2026 The French post-metallers LOST IN KYIV discuss the fifth album, new drummer, a Jung sample, and more June 5, 2026 Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” June 5, 2026 Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” June 5, 2026 “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album Previous Story DRIP OF LIES stream their new LP Next Story TOGETHER stream their new 7” Latest The French post-metallers LOST IN KYIV discuss the fifth album, new drummer, a Jung sample, and more Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album THE DHARMA CHAIN unlock a hypnotic journey with “Some Kind of Pure State”
June 8, 2026 The French post-metallers LOST IN KYIV discuss the fifth album, new drummer, a Jung sample, and more
June 5, 2026 Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”