Please go to your post editor > Post Settings > Post Formats tab below your editor to enter audio URL. Latest EVERY TIME I DIE stream their new album “Ex Lives” February 29, 2012 1 min read EVERY TIME I DIE are now streaming their new album “Ex Lives” in its entirety and you can check it out below. Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: every time i diepost hardcoresouthern rock Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] 1 Comment […] http://www.idioteq.com/ […] Comments are closed. You might be interested in February 24, 2026 BAD VACATION drop “Life Goes On” EP, a fast and melodic dispatch from the NYC punk rock underground February 24, 2026 HOUSE OF WARMTH’s “Gabapentin_1” crawls through fuzzy heavygaze fog, shaped by loss, home recordings, and an old Tascam February 24, 2026 DÖGMËN want to stop being human on their new album “All Men Must Die” February 24, 2026 LE MUR confront the impossible beauty standard with “Porno” Previous Story NEW MORALITY to enter the studio soon Next Story The manufacturing of MOUTHPIECE’s “Can’t Kill What’s Inside” Latest BAD VACATION drop “Life Goes On” EP, a fast and melodic dispatch from the NYC punk rock underground HOUSE OF WARMTH’s “Gabapentin_1” crawls through fuzzy heavygaze fog, shaped by loss, home recordings, and an old Tascam DÖGMËN want to stop being human on their new album “All Men Must Die” LE MUR confront the impossible beauty standard with “Porno” ACTIVE BASTARD’s Valentine’s Day debut: misery, murder ballads, and slow self-destruction
February 24, 2026 BAD VACATION drop “Life Goes On” EP, a fast and melodic dispatch from the NYC punk rock underground
February 24, 2026 HOUSE OF WARMTH’s “Gabapentin_1” crawls through fuzzy heavygaze fog, shaped by loss, home recordings, and an old Tascam
HOUSE OF WARMTH’s “Gabapentin_1” crawls through fuzzy heavygaze fog, shaped by loss, home recordings, and an old Tascam
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