July 27, 2023 The unfolding of Post-Metal brilliance: the catharsis of MAIRU’s epic new album “Sol Cultus”
July 25, 2023 Metalcore band SERRATION share new striking track “Shroud Of Gnarled Tongues”, new album coming up on DAZE
July 25, 2023 Expired Tradition: confronting the elusive American Dream with MORAL POLLUTION’s “Nightmare of Reality”
July 21, 2023 Massachusetts Oi! hardcore band BRIX’N MORTAR premiere debut album “Something Ain’t Right”
July 21, 2023 Artist-to-artist interview: alternative darkwave acts NOW AFTER NOTHING and VIOLET SILHOUETTE
July 21, 2023 “Under The Western Heel”: DEMONS premiere an explosive blend of noise rock, sludge and hardcore
July 20, 2023 10 songs about our superficial society – grungy rockers TWIN MILL discuss inspirations behind their debut single “Drown”
July 19, 2023 Indiana’s PISS ANT return with “Fuck Twelve”, a caustic message to the those that exercise abusive power
July 19, 2023 Zampler #21: a panoramic glimpse into the screamo scene through the eyes of Zegema Beach Records’ artists
July 18, 2023 ANGEL DU$T announce new album “BRAND NEW SOUL” – new single and video “Space Jam” available
July 18, 2023 Decades of nostalgia collide with white-belt hardcore in PUBLIC PHONE SCHOOL’s video for “The Write to Bear Claws”
July 18, 2023 Indie rockers OLDSOUL embrace growth and collaboration in their third LP “Education on Earth”