July 21, 2023 Artist-to-artist interview: alternative darkwave acts NOW AFTER NOTHING and VIOLET SILHOUETTE
July 21, 2023 “Under The Western Heel”: DEMONS premiere an explosive blend of noise rock, sludge and hardcore
July 20, 2023 10 songs about our superficial society – grungy rockers TWIN MILL discuss inspirations behind their debut single “Drown”
July 20, 2023 Recalling the iconic “Black Sunday” from CYPRESS HILL: the 30th Anniversary Edition is here! [UPDATE]
July 19, 2023 Australian hardcore sensation SPEED share new USA HARDCORE tour documentary, kick-off tour in LA July 30th
July 19, 2023 Indiana’s PISS ANT return with “Fuck Twelve”, a caustic message to the those that exercise abusive power
July 19, 2023 Zampler #21: a panoramic glimpse into the screamo scene through the eyes of Zegema Beach Records’ artists
July 18, 2023 ANGEL DU$T announce new album “BRAND NEW SOUL” – new single and video “Space Jam” available
July 18, 2023 Decades of nostalgia collide with white-belt hardcore in PUBLIC PHONE SCHOOL’s video for “The Write to Bear Claws”
July 18, 2023 Indie rockers OLDSOUL embrace growth and collaboration in their third LP “Education on Earth”
July 17, 2023 Boston hardcore band MOVE casting a luminous beacon onto the notions of communal revolution with “1,000,000 Experiments”
July 17, 2023 Blackout! Records revives NYHC classics: Sheer Terror, Killing Time and more on new vinyl reissue series
July 17, 2023 Emotive post hardcore band PHANTOM BAY share “Collective Decline”, off of “Underground” EP