URINE HELL by @pteradactalia
URINE HELL by @pteradactalia
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URINE HELL shares a unique take on sludgy noise rock

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With a name like Urine Hell, any assumptions of this Chicago quartet holding back are obliterated the moment you hit play. Their sludge-infused noise rock is an uneasy dive into all things guttural, grim, and, well, a bit grotesque.

Formed in 2019, this group has carved a space that resonates somewhere between raw, visceral emotion and churning, groove-laden sonic punishment. The sound theyโ€™ve built is a mess of sludge and post-hardcore weight, unapologetically ugly in the best possible way, mirroring the metal grit of bands like Godflesh and the jagged rhythm shifts of Meshuggah, while occasionally tipping into territories reminiscent of screamo or black metal undertones, especially in their vocalist’s bleakest moments.

Zach Lockwoodโ€™s panicked, abrasive delivery and chaotic stage presence further feed the bandโ€™s unnerving energy, his vocals spilling like a scream-scape thatโ€™s part lament, part frantic confession.

Backed by bassist Dave Jr., guitarist Dave Sr., and relentless drumming, their sound oscillates between punishing dissonance and some surprising rhythmic complexityโ€”crucial moments for fans of technical metalโ€™s precision or the volatile math-rock scene.

Their influences are threaded throughout: the primal pulse of Godflesh, the frenetic breakdowns of KEN Mode, and the genre-straddling dynamics of Chat Pile, yet Urine Hell has a sonic cocktail thatโ€™s entirely their own, fortified by blistering angst and existential weight.

Engineered by Andy Nelson at Bricktop Recording and mastered by Carl Saff, this EP encapsulates Urine Hellโ€™s journey through paranoia, self-loathing, and a world darkened by inner battles.

Their track-by-track commentary is a testament to the complexity theyโ€™ve brewed within this noise-soaked, sludgy landscapeโ€”an unyielding sound built to provoke, unsettle, and ultimately, reveal. For those ready to take on the weight, the full commentary from Zach and Dave awaits.

The track-by-track analysis from Zach and Dave, the band’s vocalist and guitarist.

1. The Weight of Me

Zach (vocals): Addiction, particularly with alcohol, is something Iโ€™ve struggled with for a long time and continue to deal with today. The weight of it all can be a lot for anybody.

Dave Sr. (guitar): I was going for Deftones-style mood and simplicity here. The long end section kind of reminds me of Meshuggah.

2. Nothing of Interest

Zach: It just wouldnโ€™t be Urine Hell without a song about feeling hopeless, lonely and worthless.

Dave Sr.: This track reminds me of Meshuggah. Iโ€™ve been listening to them since the early 2000s. Itโ€™s embedded in my bones. Iโ€™d like to think that Iโ€™m not just doing a shitty version of what they do.

3. Hometown

Zach: An angsty tune about growing up in small town America. There are people who contributed to my suffering who seem to think we still have some sort of connection.

Dave Sr.: This one does NOT remind me of Meshuggah. Our bassist Dave Jr. wrote this one. He pitched us a complete song that required no revisions. I wrote my guitar parts around the bass which forced me to think a bit differently than if I was pitching a song on guitar.

4. Disappear Here

Zach: Another song about addiction; title and lyrics inspired by the novel Less Than Zero by Bret Easton Ellis. The violent, visceral lyrics are meant to contrast with the quiet admission that youโ€™ve got a problem.

Dave Sr.: This was my attempt at a Kiss It Goodbye mid-tempo grinding feel. KIG was a criminally underrated band featuring Keith Huckins and Tim Singer of Deadguy on guitar and vocals, respectively. Both bands are massively influential for me.

5. The Gospel Singer

Zach: It wouldnโ€™t be Urine Hell without some references to Southern Gothic literature. The title is taken from a novel by Harry Crews. The lyrics are inspired by, โ€œA Good Man is Hard to Findโ€ by Flannery Oโ€™Connor.

Dave Sr.: This song is a single riff thatโ€™s looped โ€œXโ€ number of times. Power through repetition. Like Wayne Static of Static-X once sang, โ€œthe trance is the motion.โ€

Karol Kamiล„ski

DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels.
Contact via [email protected]

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