March 16, 2026 DREAMWEB’s “Call Of The Void” almost died on a hard drive – instead, it became one of New Zealand’s most unsettling debuts this year
March 16, 2026 GIANTE turned depression into eight tracks of raw Basque post-hardcore on “Beste Norbait Izan”
March 16, 2026 FICTIONAL CHARACTER talk isolation, bedroom recordings, and a masked figure on “En Dedans”
March 15, 2026 MARRICKVILLAINZ’s “It’s A Band, Not A Bánh Mì”: three days on speed, beer, and a scrapped click track
March 15, 2026 FAKEYOURDEATH unpack identity, self-destruction, and the scrapped EP behind “(Non)entity”
March 13, 2026 Punk’n’rollers SPEAK FOR THE DEAD channel political paranoia and Motorhead vibes into a wild debut
March 13, 2026 Extraordinary dark indie rockers DAMOKLES chronicle a fictional serial killer across thirteen tracks on their third album “A Trophy Collection”
March 13, 2026 Melodic hardcore pack WITHOUT LOVE confront the cost of paying attention on “Diminishing Returns”
March 13, 2026 NEVERSAID call out liberal apathy and centrist fence-sitting on “Apathy Of A Spokesman”
March 13, 2026 Painist ditches guitars entirely, runs a cheap piano through HM-2 pedals, and calls it crust punk
March 13, 2026 DOWN THE LEES document a moment worth freezing with “This Is What It Feels Like” concert film
March 13, 2026 Emo indie punks COMIC SANS channel heartbreak and lineup chaos into “Todas las cosas que nos salió mal”
