April 27, 2026 Rouen screamo band L’IDYLLE return after retreat with new tracks built around grief, capitalism and the tolerance paradox
April 27, 2026 Milwaukee dream pop act SSAANN debut “Higher,” six years of solo JunoDS88 loops turned into a beautiful, gentle, heavenly album
April 27, 2026 Alt screamo act HOUSE OF THE BLOOD CHOIR on “Mom’s Anxiety,” Namba Bears, and Osaka’s small skramz scene
April 27, 2026 Progressive post metal sludgers URZAH talk earthen heaviness, vocal lessons and 13-minute closers ahead of June 5 release of “A Tranquil Void”
April 27, 2026 “Failed As A Friend”: Polish math rock turned emo – FOR EXAMPLE JOHN premiere new album!
April 24, 2026 DC teen band PETRICHOR take aim at wealth extraction and ICE terror on “Richest Witches of the West”
April 24, 2026 Mexico City dark screamo duo OSHIRA debut “Vorágine,” tackling never being on time for your own life and disappearing to belong
April 24, 2026 Toronto emo post hardcore band DIAMOND WEAPON return with “Letters from the Flood,” an adventurous EP shaped by a year of funerals
April 24, 2026 Calgary’s rockers HOWELLS detail the three-hour writing session behind new “Overflow” video with Astrology Girl
April 23, 2026 Sensual fusionists CITY OF THE SUN: how a video in the Panamanian jungle put them in sold-out rooms in Athens
April 23, 2026 NYC post-hardcore legends QUICKSAND are back with new album “Bring On The Psychics,” share new songs “Get To It” and “Regenerate”
