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God Is An Astronaut
New Music

Post rock icons GOD IS AN ASTRONAUT release new album “Embers”

September 10, 2024
2 mins read
Start

God Is an Astronaut’s eleventh studio album, “Embers,” is both a solid proof to their longevity in the post-rock scene and a reminder that the genre thrives in a live setting. While the album is rich with intricate layers and deeply emotional compositions, it’s hard to shake the feeling that these tracks are truly meant to be experienced in a live environment, where their full power can be unleashed.

God Is an Astronaut, formed in 2002 by brothers Torsten and Niels Kinsella, has long been a cornerstone of the post-rock genre.

Known for their ability to blend atmospheric soundscapes with powerful crescendos, the band has built a dedicated following over the years.

“Embers,” their eleventh studio album, continues this tradition, drawing on a range of influences from psychedelia to krautrock, and featuring collaborations with musicians like cellist Jo Quail and multi-instrumentalist Dara O’Brien.

Artwork by David Rooney
Artwork by David Rooney

The album reflects deeply personal themes, including the loss of the Kinsella brothers’ father, which influenced tracks like “Falling Leaves” and “Odyssey.” Despite its rich layers and cinematic quality, “Embers” remains firmly within the sonic territory that God Is an Astronaut has mastered over their two-decade career.

The album opens with “Apparition,” which gently lulls you into a false sense of calm before erupting into a sonic journey that’s both haunting and mesmerizing. The track’s ebb and flow set the tone for what’s to come—a rollercoaster of emotions and soundscapes that only a band like God Is an Astronaut can deliver.

“Falling Leaves,” the lead single, is perhaps the most representative of the band’s sound on this album. It’s a reflective piece that explores the fleeting nature of existence, beautifully captured through shimmering riffs and a steady, almost meditative beat. The track builds to a powerful crescendo, echoing the transient beauty it seeks to portray.

The title track, “Embers,” is an epic ten-minute journey that encapsulates the album’s themes of life, death, and everything in between. It’s a masterclass in building tension and releasing it with an almost cinematic flair. The track’s psychedelic undertones and unexpected twists keep you on your toes, making it one of the standout pieces on the album.

Tracks like “Heart of Roots” and “Odyssey” further showcase the band’s ability to create immersive soundscapes. “Heart of Roots” wraps you in its atmospheric embrace, while “Odyssey” takes you on a journey through delicate acoustics and heavy riffs.

“Embers” is undoubtedly a beautifully crafted album, full of emotional depth and technical prowess. The production is pristine, and the musicianship is top-notch.

Seek out their live shows, where these songs can transcend the studio walls and truly become the powerful, immersive experiences they were meant to be.

The band has plenty more shows lined up for 2025, with details to be shared soon.

 

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Tags:

  • god is an astronaut
  • post metal
  • post rock

Karol Kamiński

DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels.
Contact via [email protected]

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