Saetia’s return is marked by a deliberate reckoning with their past and a measured step forward. After a brief initial run that reshaped what would later be known as screamo, the band reunited in 2022, playing their first shows in decades before turning to the studio for new work. Now, 26 years after their last recording, they’ve released “Tendrils” – a track that echoes their early sound with modern clarity.
“Tendrils” is the opening salvo from a three-song EP of the same name. The band explained that the idea emerged in December 2023 when Colin shared a bass riff. What started as a tentative spark grew through file sharing and sessions in Philly and various U.S. rehearsal spaces, culminating in a self-released project that recalls the DIY spirit of their 1997 demo. Limited to 1,000 copies on one-sided black vinyl, the release is available for pre-order via Deathwish Inc., with shipments expected at the end of April. Special, limited versions – featuring alternate covers and colored vinyl – will be available at the upcoming release shows.
The second new song, “Three Faces Past,” builds on the energy of “Tendrils” with a relentless riff that defies convention. Alongside the track, Saetia offered this statement on Instagram:
“Unthinkable trauma reverberates through generations of an immediate family. It transforms transfigures and transcends the way we interact with the world the way we recognize who we are and who we can be. It may be evergreen but it doesnt need to poison everything. We have opportunities to recognize realize and reorder ourselves to meet the most important moments. To those struggling we see you and we know you.
“Thanks to everyone who’s already checked out the song and for all of the kind messages. We really appreciate it.”
Billy, Adam, Colin, Steve & Tom
The EP, set for an April 25 release, contains “Tendrils,” “Three Faces Past,” and “Corkscrew Spine.” According to the release notes, the remaining two songs are scheduled to drop in February and March.
Release shows have been scheduled for additional context: a New York performance at Bowery Ballroom on April 27—with On the Might of Princes, Medicinal, and Twowayradio—and a Los Angeles date at Lodge Room on May 3 featuring a “very special guest” (TBA) alongside Quiet Fear.
Saetia’s measured return, steeped in memories of past chaos and renewed purpose, is delivered with the same raw determination that once defined their fleeting yet influential tenure.
