April 8, 2026 Sludge veterans (16) trace their DNA back to Black Flag on new single from covers LP “Forgeries Vol. 1”
April 8, 2026 Bangkok duo CRAPGUM channel grindcore minimalism into a 15-minute critique of normalized brutality
April 8, 2026 elbowsway stretch shoegaze across burnout, isolation, and Lynchian dread on debut EP “common sense”
April 8, 2026 UK alt rockers GUILLOTINE step out with feisty new single “Haunted,” new lineup, and July record
April 7, 2026 From diagnosis to disaster: FAINTING DREAMS return heavier, wider, and more fractured; map three movements on “The Silence of Birds That Rarely Sing”
April 7, 2026 FINAL GASP map 26 days of tour life behind “New Day Symptoms,” ghost towns, bad gigs and all
April 7, 2026 Garage punk rock’n’rollers THE DOWNSTROKES turn small-town parades, insomnia, and old bands into “The Furious Hours”
April 7, 2026 “Immobilism” finds ORGAN pushing their instrumental post metal doom into colder, more desolate ground
April 6, 2026 Sicily’s MOTHER GIRAFFE map late-capitalist anxiety and turn repetition into pressure on “Food Is a Necessity”
April 3, 2026 Baltimore’s emo alt rockers STILL BONES turn frustration into motion on collaborative EP “Start/Stop”
April 3, 2026 Emo math rockers PASTEL stretch a decade of doubt into “A Lovers Manifesto,” a record shaped by instability and stubborn continuity
April 2, 2026 Metallic hardcore mob WRECKONIZE push back on scene tourists with “Dead 2 Me / Nowhere 2 Run”
April 2, 2026 Hardcore pack BIRDLEGS confronts inherited damage and digital control on “Visions Beyond The Ape Cave”
April 1, 2026 On “Dance Music,” experimental bedroom act CELEBRATING chases peace through skramz, noise rock, old gear, and an imagined late-’90s past
April 1, 2026 Pop punk rockers HARK! A SHARK! break a decade of silence with “Sirens” and the coming EP “Very Nice, Very Evil”
April 1, 2026 ANTI-CORPOS on 20 years of queer feminist noise punk, Berlin’s coldness, and refusing silence
April 1, 2026 Montreal teenagers GENERAL CHAOS push harder on “Busted” and map out the anger behind “Can’t Please ’Em All”
April 1, 2026 CHEVREUIL rebuild their magnetic system on “Ordrus” ahead of comeback double album “Stadium”
March 31, 2026 FOOTBALL, ETC. look back on “The Draft,” 15 years later, built around James Vehslage’s memory
March 31, 2026 Control without overthinking – RICKY’s slacker rock isn’t laziness on “What’s The Point”
March 31, 2026 ESCALATE strikes back with “The Cry of Nature,” a strike against speciesism, war, and human arrogance
March 31, 2026 10 years of “Cult”: THE CAULFIELD CULT turned doubt, burnout and self-disgust into something lasting
March 31, 2026 Weird alt post punk act ROYAL COMMISSION trace the making of “Dossier #1,” from disco accidents to Gospel noise and summer blackouts
March 30, 2026 Finnish screamo pioneers EIGHT return with “Kuinka Löydän Luoksesi” and a full VR experience
