October 20, 2026 Utrecht post-metal band ONTAARD piece together years of trauma and shame on “A Monster Named Shame”
October 19, 2026 San Antonio post-punks NOCTURNAL PROSE connect Amygdala’s history, political anger and mutual aid on “Western Interests”
October 19, 2026 Stockholm’s GOD MOTHER confront AI slop, human limits and their own hardcore history on “Köttvärld”
October 19, 2026 Nagoya noise-pop band Echo Servants turn teenage club influences into “danceable noise” on debut single “Snow & Honey”
October 19, 2026 Warsaw’s TANIO FEST brings six Polish emo and DIY bands together after years of shared shows, tours and split records
October 19, 2026 UK emo alt rockers GUILLOTINE return after six years with “A Lesser Key,” a record designed to fall apart as you listen
October 18, 2026 New York art-rock outsiders POEM ROCKET on “Felix Culpa”, lost recordings and finding their way back after 19 years
October 18, 2026 Boston post-punks COLD EXPECTATIONS take “Waiting for the Pills to Take Effect” from an old Boston punk tape into 2026
October 18, 2026 RUEN turn Portugal’s stolen common lands and the fight for Barroso into a screamo, crust and folk record
October 18, 2026 Jovi Skyler on the isolation and second thoughts behind his Jack Endino mastered DIY grunge album “Unpopular”
October 16, 2026 Swiss noise-kraut trio FILM 2 take on streaming culture with their own strange listening rule
October 16, 2026 Jazz, soul, country and homemade electronics: Christian Molenaar premieres the adventurous new album “Jeremiah XVII”
October 15, 2026 German screamo band MISERE premiere “Mistral, with new EP taking aim at a past that never existed
October 14, 2026 Milan post-rock band Threestepstotheocean pull their post-rock apart, premiere new epic “Death of Permanence”!
October 14, 2026 Bologna nasty punk-metal twins AKA Brainkiller revisit their rave years with hardcore, Memphis rap and d-beat on “Underworld”
October 14, 2026 Inside Đorđe Miladinović’s writing life, from hardcore records to Beat poetry and independent books
October 14, 2026 Germany’s …and then I feel nothing bring crushing, post-metal-leaning screamo and fading ideals to “Utopia’s Dust”
October 14, 2026 Seattle punks THE DROWNS take working-class anger and stubborn hope into “Harsh Reality”
October 14, 2026 Nantes’ GRISEVILLE carry French screamo history into a fierce, deeply personal debut EP
October 14, 2026 Hardanger punk rock’n’rollers DEAD TARGET bring their hometown roots to debut album “Still While It Spins”
October 13, 2026 New Found Glory’s Chad Gilbert on the real stories behind “Sticks and Stones”: revisiting his 2013 interview
October 13, 2026 Long Island’s PROTEST ART tell two sides of a collapsing America on glitchy metal-dubstep album “Stories From The End”
October 13, 2026 Montreal post-punks FEVER VISIONS bring years of DIY gigs into “This Place Is Full of Noises”
October 12, 2026 EROSION CHOIR unlocks twisted, unhinged metalcore madness with “Faith Based Flagellation Contract” video
October 11, 2026 Alt rockers AWAKE & DREAMING on building “Inevitable” around digital obsession, human isolation and the search for something real
October 10, 2026 From Caru’s bedroom to opening for Orchid: São Paulo “screamo fofo” band magnólia trace their place in Brazilian scene, comment on “ternura e violência”
October 10, 2026 From Scampia to Teatro Ariston: FIORI DEL MALE, a Gulf War song and 35 years of underground history
October 9, 2026 Brighton alt-rock crew TOY PARLOUR find a fresh start after years in Beach Riot and Gnarlah
October 9, 2026 Denver vegan straight edge metalcore band MORAL LAW drop “Remnants” ahead of “Solemn Vows to a World Deplored”
October 9, 2026 What’s good in Portland? Prog post-metal duo SEMUTA share their own map of the city, from all-ages DIY to High Water Mark
