April 21, 2026 Spanish post hardcore banda ADIÓS CABALLOS pull Neuromancer, 1984, and Fight Club into new EP “Edificios Abandonados”
April 20, 2026 Boston rock’n’roll skinheads BADTERMS premiere “Nest of Vipers” ahead of European tour
April 20, 2026 Heavy instrumentalists OXIDE premiere “Is It Dead…Or Dormant” feat. Thoabath, trace it back to a conversation about parasitic fungi
April 20, 2026 Melancholic fury: TRANSMISSION ZERO on roughing up post-rock, turning a breakup into new chapter
April 19, 2026 Chicanx hardcore pack QUIET FEAR traces backyard shows, language, and pressure on“La Tierra Arriba/El Abismo Abajo”
April 19, 2026 UNDERGROUND PALACE return with “Lo Que Prometiste”, map out Mexico City’s post-punk underground
April 17, 2026 Blackened metal hardcore beast PILORI explores what survives after death on “Sans Adieu”
April 17, 2026 Dark wave act TINDER YOUTH premieres “Let’s Not Keep In Touch,” the first single from Gianmaria of Carnero’s new solo project
April 17, 2026 SCARBORO walk through “Hate Season” track by track – from a Congressional campaign to a love letter to punk
April 17, 2026 Emo rocker Brightr on the autumn that nearly broke him, Julien Baker in traffic, and new double A-side “Pob Lwc”
April 16, 2026 Athens post-screamo outfit PRAY FOR DECADENCE drop intriguing 2-tracker “Sleeping in the Deep”
April 16, 2026 Cinematic indie rockers MERWULF premiere “The Mountain Lion,” a grief-driven single shot on the Oregon coast during king tides
April 16, 2026 Ex-OHHMS members MAN BAND launch “Strong Man” with “Dane Valley” and a look at male identity
April 16, 2026 London’s WATERDEER explore myth, regret, and missed connection on debut double single “Goddamn//Cassandra”
April 16, 2026 THE APE premiere “Anticrats,” a politically charged second single ahead of their debut album on Loyal Blood Records
April 15, 2026 Cleveland’s CLOSEDOWN share new EP “The Doldrum Sound,” post-punk built around the way trauma accumulates
April 15, 2026 Grindcore act APE UNIT walk through “Sticks” track by track: ten songs, a drunk threat, and a diorama built from AI mistakes
April 15, 2026 HOLOCAUSTS, the Israeli anti-Zionist crust punk band, and what resistance looks like from the inside
April 15, 2026 Craig Lewis remembers Quebec City punks DISCORDIA, Caillou, and finding himself in Quebec City
April 14, 2026 THE ARRIVALS break down “Payload,” a Chicago return record with colonization, class war, and no patience for bullshit
April 14, 2026 IF IT KILLS YOU return with “Arrow Eye” after shelving Albini-recorded sessions and lineup changes
April 14, 2026 From Tokyo flyers to analog tape fights: inside Zeni Geva and Steve Albini’s Superunit years
April 13, 2026 Dream pop / slowcore wizards CATHEDRAL BELLS stretch time and texture on “Parallel Dreams”
April 13, 2026 SPRING HOUSE pull Dischord’s elasticity into a Detroit debut that treats hardcore as open terrain
April 13, 2026 London’s SHOOTING DAGGERS link up with Dennis Lyxzén, turn friendship, activism, and motion into “The Real Life Thing”
