September 30, 2026 Guayaquil post hardcore band CABRAS return to a younger Ecuadorian scene that found them after they were gone
September 30, 2026 Italian Alpine hardcore band SOTTOMISSIONE ZERO trace more than 25 years of hardcore back to a small scene in Italy’s Valtellina
September 30, 2026 Ohio L’eveil put progressive rock and metal through one acoustic guitar on “Wars of Abstraction”
September 29, 2026 Northern Polish hardcore punks KMKZ ask who pays for our comfort on “Szóste Wielkie Wymieranie”
September 29, 2026 Philadelphia melodic hardcore punks WORMBOUND turn work, money and powerlessness into “Senseless Nonsense”
September 28, 2026 Vancouver’s metallic hardcore act RETALIHATE brings machine-tight brutality to “Core Wounds”
September 28, 2026 Wisconsin emo band ENDSWELL turn friendship, fallout and growing up into high octane new album “Everything Confided Will Be Forgotten”
September 28, 2026 Brooklyn hardcore band Melting People turn aging, lost time and family illness into “Demo 2026”
September 24, 2026 THE GREAT OX IN THE BELLY OF A SNAKE carry fourteen years of Pennsylvania noise and Vulturepeak history into “Euphoric Dread”
September 24, 2026 Melodic metalcore act VAELTHUNDER turn a decade of old riffs, disappearing networks and internet fatigue into “Expose / Exist”
September 24, 2026 Illinois dark post-punk band THE HOUSE FLIES take us through old photographs, country churches and disappearing places on “Lions and Ore”
September 22, 2026 “Zero / Uno”: a two-song dialogue between San José shoegaze/post-hardcore band Adiós Cometa and Tokyo screamo band Cissné make
September 22, 2026 Katowice emo/shoegaze trio przeprosiny turn dream loss into captivating debut album “femme”
September 21, 2026 Madrid Latin hardcore band FIRSTLINE carry migration, family memory and life between countries into wild wild new EP “TRIBU”
September 21, 2026 DEVIL CITY CULT carry years of Madrid hardcore and metal history into “Murderous Retribution”
September 21, 2026 Experimental noise rockers WIKI bring their own rules for improvisation and recording into adventurous debut EP [sun]
September 20, 2026 Canadian experimental duo THE NAWROCKIS made “Kapusta” from live improvisation, family history and nearly four decades of Polish connections
September 19, 2026 TheUrbanFarmer talks “Psyop Of Unknowns”, media manipulation and making music with AI
September 18, 2026 Melbourne alt-rock band SOCIETY OF BEGGARS ask “How much is enough?” inside the consumerist doom-loop of “I Want I Want”
September 18, 2026 MY DEATH DIARY lost the masters, kept the songs, and found their way back into Jakarta emo
September 18, 2026 THE MORMONS finally record a 28-year-old song on “Rats”, alongside ghosts, dead machines and failing bodies
September 18, 2026 Emoviolent screamo band WELLNESS push metallic hardcore through black-metal melody on a record built for physical limits
September 17, 2026 HOLY PINTO connect love, commitment and Milwaukee life across the indie-pop of “Wedding Season”
September 17, 2026 Rocky Mountain emo, panic attacks, Kyoto trains and a dog named Calvin: SKIIMO on their self-titled LP
September 16, 2026 Alle Foglie Fest: seven screamo bands talk class, gatekeeping, autonomous spaces and the cost of keeping DIY alive
September 16, 2026 10 melodic post-hardcore records to comeback to: from HOPESFALL to UNDEROATH: naming the records behind SHELTER & SOUND
September 16, 2026 Aaron Stauffer keeps counting waves on the way to 100 songs: listen to “Last March”
September 16, 2026 Milk St. premiere “Toyota Corolla” from “Good Grief”, new album road-tested across 120+ shows and 175,000 miles
September 16, 2026 SEROTONIN return after 23 years, bring their stop-start emo and post hardcore back into motion on “The Price”
