December 15, 2023 You Matter: Part III – the final in the trilogy of epic compilations raises money for the suicide prevention
December 12, 2023 DISTANCES: Albuquerque trio’s potent mix of post-metal and introspection in “Abstruse”
December 1, 2023 Screamo act JORNADA DEL MUERTO unveils the live grit and grime of “Pinturas Negras” – new live video streaming
November 3, 2023 Istanbul’s blackened screamo ensemble JORNADA DEL MUERTO unveilsnew epic offering “Pinturas Negras”
November 2, 2023 SEERESS returns with ‘Holograms’: a stark ode to societal illusions and the power of awareness
October 4, 2023 Epic post metallers AZIMUT premiere new album “Dans les Méandres”, offer track by track commentary
September 22, 2023 Italian sludgy post metal band RISE ABOVE DEAD returns with new line-up, new sound and new beginnings
September 19, 2023 UFOMAMMUT unveils ‘Crookhead’ EP: a portentous premonition of their 25th anniversary milestone
September 18, 2023 “Con Uno Sguardo Solo” reveals the uncompromising trajectory of NOVERTE’s take on screamo and post hardcore
September 15, 2023 Atmospheric post metal act HELVE navigates emotional terrains in new album “To Be Forgotten”
September 15, 2023 SEERESS unleashes “Fear,” a harsh emotional soundscape touchin on the complexities of human existence
September 15, 2023 Threestepstotheocean unveils instrumental post metal epic “Duende” – full interview available
September 14, 2023 BRUTUS extend their melancholic ethos with new powerful song “Love Won’t Hide The Ugliness”
September 12, 2023 A look back at ENVY’s “Insomniac Doze”: a modern classic in the landscape of post hardcore, celebrating its 17th anniversary today
September 5, 2023 Limited edition vinyl of ISIS’ early EPs ‘The Mosquito Control’ and ‘The Red Sea’ available
September 5, 2023 BEAR reshapes the landscape of post metallic hardcore with saxophone infused “Defeatist”
