THE OCEAN have premiered video for new single, “Pleistocene”, via InvisibleOranges.com – alongside an exclusive interview with guitarist Robin Staps! Watch above.
On September 25th, The Ocean will release their 8th full-length, Phanerozoic II: Mesozoic | Cenozoic, via Metal Blade Records (CD / digital) and the band’s own Pelagic Records (vinyl). In 2018, The Ocean released Phanerozoic I: Palaeozoic – the first half of a sprawling but superbly cohesive paleontology concept album. Now, the group is ready to release the eagerly-awaited concluding parts of the Phanerozoic journey.
Widely hailed as their finest work to date, Phanerozoic I brimmed with moments of wide-eyed melodic brilliance, alongside the expected warping and weaving of post-metal conventions. “The first part of ‘Phanerozoic’ really is a ‘no-regrets’ album, which is quite rare,” says guitarist Robin Staps. “Maybe even the first time I can ever say that.”
In contrast with the compositional directness of Phanerozoic I, the new album – Phanerozoic II: Mesozoic | Cenozoic – is a vastly more progressive and perverse piece of work. “‘Phanerozoic II’ is more experimental, more eclectic in musical style and direction, and more varied in terms of tempos, beats, guitar work and the use of electronics,” notes Staps. “This was an intentional choice: we wanted Part I to feel rather streamlined and to have a strong cohesion between the individual songs. We wanted to create a certain vibe to linger from the first until the last note throughout the whole record. We kept the weirder, more daring and more progressive material for Part II.”
Tracked in Iceland, Spain and Germany and produced by esteemed studio guru Jens Bogren, Phanerozoic II is underpinned by some of the most imaginative and challenging music that The Ocean – completed by drummer Paul Seidel, keyboard maestro Peter Voigtmann, bassist Mattias Hagerstrand and guitarist David RamisÅhfeldt – have made yet. Divided into two sections – Mesozoic and Cenozoic – the album once again showcases the detail and depth that have become two of The Ocean’s most enduring trademarks.
While ostensibly delving into the extraordinary realities of the Earth’s shifting temporal tides, Staps and his comrades have long drawn hazy parallels between their chosen subjects and the emotional experiences that their music strives to convey. Phanerozoic II is essentially an album about time, with some very poignant and pointed allusions to the modern world woven into the new music’s spiritual fabric.
Staps explains, “The outcome is a record that is a real journey. It starts in one place, and concludes in a totally different place. In a way, it relates to 2013’s ‘Pelagial’, which was similar in that it was also a journey: but a more guided, focused and predictable one. ‘Phanerozoic II’ on the other hand is closer to the experience of free fall.”
The Ocean tour dates w/ pg.lost, Hypno5e, Svalbard
Jan. 7 – Wiesbaden, Germany – Schlachthof
Jan. 8 – Colmar, France – Grillen
Jan. 9 – Paris, France – La Machine
Jan. 10 – Nantes, France – Ferrailleur
Jan. 11 – Toulouse, France – Le Rex
Jan. 12 – Bilbao, Spain – Stage Live
Jan. 13 – Lisbon, Portugal – LAV
Jan. 14 – Madrid, Spain – Caracol
Jan. 15 – Murcia, Spain – Gamma
Jan. 16 – Barcelona, Spain – Boveda
Jan. 17 – Bordeaux, France – Krakatoa
Jan. 18 – Lyon, France – CCO
Jan. 19 – Fribourg, Switzerland – Fri-Son
Jan. 20 – Lucerne, Switzerland – Sedel
Jan. 21 – Vienna, Austria – Viper Room
Jan. 22 – Prague, Czech Republic – Nova Chelmnice
Jan. 23 – Berlin, Germany – Festsaal
Jan. 25 – Copenhagen, Denmark – Pumpehuset
Jan. 26 – Hamburg, Germany – Bahnhof Pauli
Jan. 27 – Leipzig, Germany – Conne Island
Jan. 28 – Munich, Germany – Backstage
Jan. 29 – Essen, Germany – Zeche Carl
Jan. 30 – Osnabruck, Germany – KleineFreiheit
Jan. 31 – Zwolle, Netherlands – Hedon
Feb. 1 – Cologne, Germany – Volta
Feb. 2 – Brussels, Belgium – Botanique
Feb. 3 – Utrecht, Netherlands – De Helling
Feb. 4 – Bristol, UK – The Fleece
Feb. 5 – Glasgow, UK – Slay
Feb. 6 – Manchester, UK – Club Academy
Feb. 7 – London, UK – 229
Feb. 8 – Brighton, UK – Patterns