Latest SAVES THE DAY interviewed by BombShell Zine; acoustic performance available February 7, 2012 1 min read Bombshell Zine recently conducted an interview with SAVES THE DAY. Read the full interview here. In other news, Chris Conley recently did an acoustic performance of 2 SAVES THE DAY songs for AbsolutePunk: Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: emo rockindiepop punkrocksaves the day Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in April 3, 2026 Baltimore’s emo alt rockers STILL BONES turn frustration into motion on collaborative EP “Start/Stop” April 3, 2026 KNUMEARS turn “Directions” into a map of change, family, and SoCal screamo April 3, 2026 THE SADDEST LANDSCAPE confront time, loss, and unfinished thoughts on “Alone With Heaven” – an interview April 3, 2026 Emo math rockers PASTEL stretch a decade of doubt into “A Lovers Manifesto,” a record shaped by instability and stubborn continuity Previous Story PRIMITIVE WEAPONS – “The Shadow Gallery” teaser Next Story SILVERSTEIN stream their new album on… MySpace Latest Baltimore’s emo alt rockers STILL BONES turn frustration into motion on collaborative EP “Start/Stop” KNUMEARS turn “Directions” into a map of change, family, and SoCal screamo THE SADDEST LANDSCAPE confront time, loss, and unfinished thoughts on “Alone With Heaven” – an interview Emo math rockers PASTEL stretch a decade of doubt into “A Lovers Manifesto,” a record shaped by instability and stubborn continuity Metallic hardcore mob WRECKONIZE push back on scene tourists with “Dead 2 Me / Nowhere 2 Run”
April 3, 2026 Baltimore’s emo alt rockers STILL BONES turn frustration into motion on collaborative EP “Start/Stop”
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Baltimore’s emo alt rockers STILL BONES turn frustration into motion on collaborative EP “Start/Stop”
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Emo math rockers PASTEL stretch a decade of doubt into “A Lovers Manifesto,” a record shaped by instability and stubborn continuity