Bad Pritt‘s project draws inspiration from sequential art and focuses on cinematic music with an influence of neoclassical school in sophisticated electro music. On stage, he utilizes numerous gadgets and eerie videos, resembling a producer despite performing like a global village orchestra. His latest release, Debris, is an alluring piece of art that is both beautiful and unsettling. The theme of coming to terms with death, explored in his previous EP1 (released in December 2021), resurfaces in Debris, where acceptance is the result of the healing process.
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Following a period of overwhelming pain, one can become disconnected from reality and separate oneself from emotions, only observing the wreckage around. When detached from oneself, laconic notes are written, occasionally with complex space-time references, rendering familiar territories unrecognizable.
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The seven tracks of Debris are distinguished by dates, attempting to establish fixed points in time and aiming for precise moments in the loop. Musically, Bad Pritt has moved away from evocative electronic sounds and the slightly rhetorical pop of his debut album, opting for rawer sounds. The tracks commence with a classical, delicate theme that gradually becomes unstructured and ultimately destroyed.
Debris is out now via Italian label Shyrec.
