Interviews STARE DEFEATER’s Jay Maas on why music isn’t a worthless waste of life April 16, 2012 1 min read AltPress have recently posted an interesting feature of DEFEATER‘s Jay Maas trying to prove that music isn’t a worthless waste of life. Head over here to check it out. Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: defeaterhardcore punkmelodic hardcore Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in February 10, 2013 BAD RELIGION bassist interviewed by AMP Magazine, February 2013 February 10, 2013 STCIK TO YOUR GUNS interviewed by I Want My C TV February 9, 2013 PARKWAY DRIVE interviewed by PitCam February 9, 2013 The Self-Titled Magazine talks to HOT WATER MUSIC Previous Story EXCLUSIVE: OFF WITH THEIR HEADS interview Next Story TRENCHES interviewed by Hardcore Collective Latest BEYOND THE STYX return with “DIVID” on Innerstrength Records, vocalist Emile breaks down the war, the borders, and the band’s slogan Oslo’s industrialized hardcore band TRUEANDTRUE drops “NOSEDIVE” KIDS OF RAGE map Barcelona’s vanishing hardcore, comment on staying loyal to 2000s hardcore through 16 years of lineup changes OMOIYARI’s “Poisoned Seas” pulls Icarus, Odin, and willow trees into a bedroom-built heavy album opener Beauty Is Timeless: HAMMOCK discuss ambient music as a way of seeing, belief, perception, and misreading the world
BEYOND THE STYX return with “DIVID” on Innerstrength Records, vocalist Emile breaks down the war, the borders, and the band’s slogan
KIDS OF RAGE map Barcelona’s vanishing hardcore, comment on staying loyal to 2000s hardcore through 16 years of lineup changes
OMOIYARI’s “Poisoned Seas” pulls Icarus, Odin, and willow trees into a bedroom-built heavy album opener
Beauty Is Timeless: HAMMOCK discuss ambient music as a way of seeing, belief, perception, and misreading the world
