Please go to your post editor > Post Settings > Post Formats tab below your editor to enter video URL. Live Videos Recall: CREATION IS CRUCIFIXION live in Denver, 2001 January 22, 2013 1 min read Kill That Cat has posted a video of the CREATION IS CRUCIFIXION performing live at Freedom Auto in Denver, Colorado on November 20, 2001. Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: creation is crucifictiongrindcoremathcoremetalcoretechnical death metal Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container April 28, 2026 Still Doing It: Micro-Tours in Your Forties April 23, 2026 Scott Vogel and TERROR mark album ten with “Still Suffer” and new documentary March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders Previous Story THE GHOST INSIDE / MISS MAY I / LIKE MOTHS TO FLAMES AP Tour 2012 videos by AltarTV.com Next Story Recall: “Burning Britain: The History of Punk 1980-1984″ documentary Latest Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album THE DHARMA CHAIN unlock a hypnotic journey with “Some Kind of Pure State” New wave goth rockers VELVET MIST unveil a five-track concept EP about almost losing the light
May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container
March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders
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Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”