Please go to your post editor > Post Settings > Post Formats tab below your editor to enter audio URL. Latest CHEST PAIN premieres new track November 13, 2012 1 min read Check out “Red River Wastewater”, a brand new track from CHEST PAIN. Red River Wastewater by Chest PainRed River Wastewater by Chest Pain Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: chest painhardcorehardcore punkpowerviolence Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in February 17, 2026 Behind “Disco II – Monomyth”, the excellent new album by LA PETITE MORT / LITTLE DEATH February 17, 2026 BAILOUT TX share mosh-swinging “Surface Tension” February 16, 2026 DEATH OF YOUTH confront the outside world and unfinished personal business with “Nothing Is The Same Anymore” February 16, 2026 CORIMA suspend time on “Hunab Ku”, their long-delayed Zeuhl comeback Previous Story THE MARS VOLTA are on undefinite hiatus Next Story CLOUD RAT streams a new song Latest Behind “Disco II – Monomyth”, the excellent new album by LA PETITE MORT / LITTLE DEATH BAILOUT TX share mosh-swinging “Surface Tension” DEATH OF YOUTH confront the outside world and unfinished personal business with “Nothing Is The Same Anymore” CORIMA suspend time on “Hunab Ku”, their long-delayed Zeuhl comeback Recording with 15 mics, a rewired guitar amp and some shotgun shells – behind “Perseus 9”, by EPIMETHEUS
February 17, 2026 Behind “Disco II – Monomyth”, the excellent new album by LA PETITE MORT / LITTLE DEATH
February 16, 2026 DEATH OF YOUTH confront the outside world and unfinished personal business with “Nothing Is The Same Anymore”
DEATH OF YOUTH confront the outside world and unfinished personal business with “Nothing Is The Same Anymore”
Recording with 15 mics, a rewired guitar amp and some shotgun shells – behind “Perseus 9”, by EPIMETHEUS