Downloads FINLANDIA/SINGAPUR – “19 Junio, 1955” [EP] (2016) May 16, 2016 1 min read <a href="http://laflorrecords.bandcamp.com/album/19-junio-1955" rel="nofollow noopener" target="_blank">19 Junio, 1955 by Finlandia/Singapur</a><a href="http://laflorrecords.bandcamp.com/album/19-junio-1955" rel="nofollow noopener" target="_blank">19 Junio, 1955 by Finlandia/Singapur</a> DOWNLOAD DOWNLOAD (mirror) GO HERE to learn a lot more in the band’s recent interview for IDIOTEQ! Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: downloadexperimentalfinlandia singapurinstrumentalmath rockpost hardcorepost rockscreamo Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in April 8, 2020 BORUTA – “Try To Tread Us” (2010) [DOWNLOAD] July 4, 2017 VA – BDHW Rec. SAMPLER Vol. 4 (2017) June 19, 2017 French punks CHAVIRÉ struggle against the order of things on their new thought-provoking record ‘Interstices’ May 21, 2017 Philadelphia heavy hardcore mob TEN TON HAMMER release new EP “Chains” Previous Story COLORBLIND – “Turn To Stone” [EP] (2016) Next Story VA – DEATHSTICKS / BSHC [SPLIT] (2016) Latest Staycation: VOLYNKA discuss Fugazi, Bierce’s Devil’s Dictionary, and a record about confinement that grew out of post-lockdown years in Athens LA’s MERMAID ISLAND turn punk rock survival mode into a self-titled debut Like boys like girls like boys like girls’: an essay by Genevieve Glynn-Reeves of GEN AND THE DEGENERATES The French post-metallers LOST IN KYIV discuss the fifth album, new drummer, a Jung sample, and more Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
June 19, 2017 French punks CHAVIRÉ struggle against the order of things on their new thought-provoking record ‘Interstices’
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Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
