March 31, 2026 FOOTBALL, ETC. look back on “The Draft,” 15 years later, built around James Vehslage’s memory
March 31, 2026 Control without overthinking – RICKY’s slacker rock isn’t laziness on “What’s The Point”
March 31, 2026 ESCALATE strikes back with “The Cry of Nature,” a strike against speciesism, war, and human arrogance
March 31, 2026 Weird alt post punk act ROYAL COMMISSION trace the making of “Dossier #1,” from disco accidents to Gospel noise and summer blackouts
March 30, 2026 Finnish screamo pioneers EIGHT return with “Kuinka Löydän Luoksesi” and a full VR experience
March 30, 2026 BLASART turn eighteen years of rupture into the anti-Christian weight of “Depravatus Christianis Sacris”
March 30, 2026 Naø returns with “Islands,” a beautiful solo single about loneliness and self-isolation
March 30, 2026 Brooklyn’s DEEP SKY OBJECTS share “Banner of Light”, talk shoegaze philosophy, studio firsts, making big sound with three people
March 30, 2026 Mellow shoegaze alt rockers PILEUP walk through their mesmerizing album “Leave The Light On”
March 27, 2026 ROSIER pull old folk language apart on “Plus d’amis” and find something eerily current
March 27, 2026 Rock’n’roll duo HIGH HOME premieres “Dead Prayers” from their debut album “Someday, I’ll Be Gone”
March 26, 2026 Emo band GIVE VENT turn inward on “Secret letters to you”, the first part of a three-EP release
March 26, 2026 “Does It Feel Like Home?” finds Amsterdam’s alt emo band GARDEN WALK writing through distance, war, and belonging
March 26, 2026 Belgian dirty hardcore punks DAGGERS premiere “El Mundo Kaput,” new EP on Shield Recordings
March 26, 2026 WAKE OF HUMANITY premiere “Mastering the Fine Art of Self Annihilation” ahead of “Distress Signal” EP on New Age Records
March 25, 2026 CARRION SPRING return with “Those We’ve Lost and Continue to Lose”, a 43-minute record shaped by grief, illness, and a long road back
March 25, 2026 PIEBALD’s Travis Shettel on “If It Weren’t for Venetian Blinds…” reissue, new album coming up!
March 25, 2026 PIPE BOMB’s Mitchell Layton on going from mom’s basement to the festival stage with metalcore debut “Hell Hole”
March 25, 2026 SIXPOINTS on “Lithium'”: two islands, a zine that became an autobiography, and experimental music that speaks to ghosts and animals