March 31, 2023 Indie folk artist Simon Alexander premieres new single “Freeloaders”, shares top Swedish acts worth a listen!
March 28, 2023 Video Interview: INDUSTRIAL PUKE diuscuss their new album, expounding with clear forms based on their foundation of crust, death metal and hardcore
March 28, 2023 “Don’t be fake” – Scott Vogel discusses new project BAD BLOOD, shares new hardcore releases worth a check
March 28, 2023 Emotive post hardcore noise rockers AJEEB premiere excellent, thick riffed new album “Refractions”
March 27, 2023 Jordan Krimston (touring drummer for OSO OSO) discusses his work as an engineer, new album, and more
March 22, 2023 Dystopian black metaller BONJOUR TRISTESSE premieres new epic single “Against Leviathan”
March 22, 2023 Swiss post punk noise rockers ASBEST tackle mental health in new single “Cyanide For Breakfast”
March 21, 2023 Straight edge crew STATEMENT OF PRIDE comment on new devastating single “Memories”, Florida hardcore, new album on Youngblood Records
March 17, 2023 THE RULE blends metallic hardcore with 80s heavy metal and synth wave to carry the torch of the straight edge
March 16, 2023 CROWNING and EYELET discuss recent split recording, Zegema Beach Records, plans for 2023, and more
March 16, 2023 EARTH GROANS discuss the crushing sound of new EP “Tongue Tied” EP (Solid State), lyrical themes, inspirations
March 16, 2023 Danish experimental act HEATHE premiere haunting, screamy new single “Black Milk Sour Soil”
March 15, 2023 Not confined to a single genre, UNO LADY draws from minimalism, avant-garde, art rock, and experimental indie on new album “Alaska”
March 13, 2023 Female artists perspective on diversity, gender bias and more – an interview with Mississippi shoegaze rockers KICKING
March 13, 2023 DAISY CHAIN (member of Graf Orlock and Mossbreaker) blend hardcore punk with hard rock havoc in new single “Beat of the Chain”
March 9, 2023 The musical journey of Vadim Taver (A Life Once Lost, This Day Forward, Poison The Well)
March 9, 2023 THE MANSTERS tackles finding your own place in the Norwegian entertainment hierarchy with new wild single “The Entertainer”
March 6, 2023 ROPES INSIDE A HOLE delve into the concepts of seclusion and loneliness on new epic album “A Man and His Nature”
March 6, 2023 TORCH THE HIVE discuss a concept of useless person ‘deku’, addresses grappling with depression, suicide
March 3, 2023 Visionary math rockers LYNX re-release striking debut album in new outstanding packaging via Computer Students
March 3, 2023 Ukrainian avant-garde band Gravitsapa comment on new sonic experimental in the midst of the hardships of war
March 3, 2023 MADBALL discusses festivals, hardcore, and more in new interview for Monster Energy at Furnace Fest
March 3, 2023 Contemporary Noise Ensemble launches a journey through jazz, space rock, funk and electronic in new exciting album – new track streaming
March 3, 2023 โHorrorpunkโs Not Dead! Vol. 2โ – Horror Punk / Psychobilly / Death Rock artists comment on the state of the spooky genre
March 3, 2023 Toilet Rats IV: Tommy Ratz on cheap recording, dumpster diving, recycling electronic junk, and finding new sounds on old gear
March 2, 2023 “Loneliness Will Sit Over Our Roofs With Brooding Wings” – screamo act TO BE GENTLE discusses new captivating release
March 2, 2023 Foster homes, homelessness, the rise and fall: a portrait of Skwert Gunn (Public Serpents, ex-Choking Victim)