March 17, 2023 THE RULE blends metallic hardcore with 80s heavy metal and synth wave to carry the torch of the straight edge
March 16, 2023 CROWNING and EYELET discuss recent split recording, Zegema Beach Records, plans for 2023, and more
March 16, 2023 EARTH GROANS discuss the crushing sound of new EP “Tongue Tied” EP (Solid State), lyrical themes, inspirations
March 16, 2023 Danish experimental act HEATHE premiere haunting, screamy new single “Black Milk Sour Soil”
March 15, 2023 Not confined to a single genre, UNO LADY draws from minimalism, avant-garde, art rock, and experimental indie on new album “Alaska”
March 13, 2023 Female artists perspective on diversity, gender bias and more – an interview with Mississippi shoegaze rockers KICKING
March 13, 2023 DAISY CHAIN (member of Graf Orlock and Mossbreaker) blend hardcore punk with hard rock havoc in new single “Beat of the Chain”
March 9, 2023 The musical journey of Vadim Taver (A Life Once Lost, This Day Forward, Poison The Well)
March 9, 2023 THE MANSTERS tackles finding your own place in the Norwegian entertainment hierarchy with new wild single “The Entertainer”
March 6, 2023 ROPES INSIDE A HOLE delve into the concepts of seclusion and loneliness on new epic album “A Man and His Nature”
March 6, 2023 TORCH THE HIVE discuss a concept of useless person ‘deku’, addresses grappling with depression, suicide
March 3, 2023 Visionary math rockers LYNX re-release striking debut album in new outstanding packaging via Computer Students
March 3, 2023 Ukrainian avant-garde band Gravitsapa comment on new sonic experimental in the midst of the hardships of war
March 3, 2023 MADBALL discusses festivals, hardcore, and more in new interview for Monster Energy at Furnace Fest
March 3, 2023 Contemporary Noise Ensemble launches a journey through jazz, space rock, funk and electronic in new exciting album – new track streaming
March 3, 2023 “Horrorpunk’s Not Dead! Vol. 2” – Horror Punk / Psychobilly / Death Rock artists comment on the state of the spooky genre
March 3, 2023 Toilet Rats IV: Tommy Ratz on cheap recording, dumpster diving, recycling electronic junk, and finding new sounds on old gear
March 2, 2023 “Loneliness Will Sit Over Our Roofs With Brooding Wings” – screamo act TO BE GENTLE discusses new captivating release
March 2, 2023 Foster homes, homelessness, the rise and fall: a portrait of Skwert Gunn (Public Serpents, ex-Choking Victim)
February 28, 2023 DEAD FISH discuss European Tour, Brazilian politics, and more – first English interview in 12 years is here!
February 24, 2023 OCEANS END blend melodic post hardcore with pop punk and edgy rock in new single “Diverge Collide”
February 23, 2023 UNDER HIS EYE’s “Setting Sun” showcases a powerful and emotional blend of screamo and cello infused post rock!
February 18, 2023 Seattle noisy post hardcore act GREAT FALLS (members of Kiss It Goodbye, Undertow) discuss new 3-tracker “Funny What Survives”
February 17, 2023 “Heart Container” – Madison, Wisconsin emotional post-hardcore band ENDSWELL share new mathy, hearty single!
February 17, 2023 CRIME SCENE (by Jerry from Poison Idea, Pieter from Toxic Shock) premiere new single “Never Stop”