August 23, 2023 POSITIONER’s “Possession Arrow” – a progressive synthesis of emotion and experimentation
July 27, 2023 The unfolding of Post-Metal brilliance: the catharsis of MAIRU’s epic new album “Sol Cultus”
July 25, 2023 Expired Tradition: confronting the elusive American Dream with MORAL POLLUTION’s “Nightmare of Reality”
July 21, 2023 “Under The Western Heel”: DEMONS premiere an explosive blend of noise rock, sludge and hardcore
July 19, 2023 Indianaโs PISS ANT return with “Fuck Twelve”, a caustic message to the those that exercise abusive power
July 18, 2023 Decades of nostalgia collide with white-belt hardcore in PUBLIC PHONE SCHOOL’s video for “The Write to Bear Claws”
June 21, 2023 MIRAKLER unleashes a noisy ode to a lost friend, shares Top 5 Moves in Rock/Paper/Scissors
June 16, 2023 Deathjazz! AGABAS unleashes gut-punching jazz-fused heaviness with new single “Evneveik”
June 14, 2023 Experimental rockers LES FANTรMES DU JOUR premiere intriguing new single “Situations II”
June 6, 2023 Dream pop duo SIX IMPOSSIBLE THINGS navigates nostalgia with new single “Twenty Something”
May 31, 2023 Oslo experimental psych rock duo BURNING MOTHERFUCKERS premieres “No Teeth”, discusses artwork, new album
May 30, 2023 California hardcore / thrash SPLIT IMAGE premieres lyric video for “Demon Hunter”, unleashes new Lineup
May 30, 2023 “Strip” – Atlanta metallic hardcore band HUBRIS CANNON premiere new song thourgh a harsh live performance video
May 25, 2023 Unveiling the Surreal: trajedesaliva and Maud the Moth collaborate on “Bordando el manto terrestre”