Downloads NO RESTRAINT – “The Branches Of Suffering” 7″ [EP] February 2, 2016 1 min read <a href="http://boundxbyxmodernxage.bandcamp.com/album/the-branches-of-suffering" rel="nofollow noopener" target="_blank">The Branches Of Suffering by No Restraint</a><a href="http://boundxbyxmodernxage.bandcamp.com/album/the-branches-of-suffering" rel="nofollow noopener" target="_blank">The Branches Of Suffering by No Restraint</a> DOWNLOAD GO HERE to see the original new track premiere released in October 2015 on IDIOTEQ! Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: Bitter Melody Recordsbound by modern age recordsdown in itdownloadhardcorehardcore punkmetallic hardcoreno restraint Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in April 8, 2020 BORUTA – “Try To Tread Us” (2010) [DOWNLOAD] July 4, 2017 VA – BDHW Rec. SAMPLER Vol. 4 (2017) June 19, 2017 French punks CHAVIRÉ struggle against the order of things on their new thought-provoking record ‘Interstices’ May 21, 2017 Philadelphia heavy hardcore mob TEN TON HAMMER release new EP “Chains” Previous Story PROCESS IS DEAD – live tape (2000) Next Story TOUCH – “Illusion Of Truth” [EP] (2016) Latest Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album THE DHARMA CHAIN unlock a hypnotic journey with “Some Kind of Pure State” New wave goth rockers VELVET MIST unveil a five-track concept EP about almost losing the light
June 19, 2017 French punks CHAVIRÉ struggle against the order of things on their new thought-provoking record ‘Interstices’
Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
