March 3, 2023 MADBALL discusses festivals, hardcore, and more in new interview for Monster Energy at Furnace Fest
March 3, 2023 Contemporary Noise Ensemble launches a journey through jazz, space rock, funk and electronic in new exciting album – new track streaming
March 3, 2023 “Horrorpunk’s Not Dead! Vol. 2” – Horror Punk / Psychobilly / Death Rock artists comment on the state of the spooky genre
March 3, 2023 Toilet Rats IV: Tommy Ratz on cheap recording, dumpster diving, recycling electronic junk, and finding new sounds on old gear
March 2, 2023 “Loneliness Will Sit Over Our Roofs With Brooding Wings” – screamo act TO BE GENTLE discusses new captivating release
March 2, 2023 VERSUS THE WORLD (members of Lagwagon, Good Riddance) premiere new video for “Roadsick/Roadsick”
March 2, 2023 Czech melodic hardcore band EMPTY HALL OF FAME share new video for striking new single “Světlo”
March 2, 2023 Foster homes, homelessness, the rise and fall: a portrait of Skwert Gunn (Public Serpents, ex-Choking Victim)
March 2, 2023 THE TURIN HORSE blend angular noise rock with proggy psych atmospherics in new single “The Regret Song”
