February 6, 2023 Swedish post metallers KOLLAPS\E discuss their slowly crawling sludge beast “Phantom Centre” track by track
February 6, 2023 Chris Spencer of UNSANE discusses live shows, modern music era – North-American tour kicks off this week!
February 4, 2023 EMPLOYED TO SERVE release ‘Sun Up To Sun Down (ft. Alien Weaponry)’, detail new version of “Conquering” LP
February 3, 2023 .GIFFROMGOD announce new EP, ‘Digital Red’, new single ‘a kiss for every hornet’ streaming
February 3, 2023 EYES share and aggressive slab of twisted, grooving hardcore on new album “Congratulations”
February 3, 2023 No Sleep Records’ FOREST GREEN delves into the mind of a serial killer in new single “Glass”
February 3, 2023 Alt indie pop act SYML tells a captivating story of interpersonal connection and chosen kinship on excellent new album “The Day My Father Died”
February 3, 2023 nothing. nowhere shares new power track “THIRST4VIOLENCE”, feat. Freddie Dredd & Silverstein, announces new LP VOID ETERNAL
February 3, 2023 San Diego’s NEGATIVE BLAST recalls pandemic era frustration in a wild new single “Bad Trip”
February 3, 2023 A REASON TO TRAVEL blends ambient, drone and post rock into a dark travel into deserted city landscape
February 3, 2023 UGORY share unnerving new EP “Wicher”, redefining the bounderies of dark post-hardcore
