Latest SAVES THE DAY to enter the studio on Friday January 29, 2013 1 min read SAVES THE DAY announced in a post on their Twitter page that they are going to begin recording their new album on Friday, February 1st. They simply wrote: February 1st, 2013. We begin tracking LP #8. Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: emo rockindie rockpop punkrocksaves the day Karol Kamiลski DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in June 5, 2026 Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” June 5, 2026 Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” June 5, 2026 “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album June 5, 2026 THE DHARMA CHAIN unlock a hypnotic journey with “Some Kind of Pure State” Previous Story AT THE DRIVE-IN announce release dates for the reissues of “Acrobatic Tenement” and “Relationship of Command” Next Story COLONY announce breakup, stream their new EP in full Latest Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album THE DHARMA CHAIN unlock a hypnotic journey with “Some Kind of Pure State” New wave goth rockers VELVET MIST unveil a five-track concept EP about almost losing the light
June 5, 2026 Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
Previous Story AT THE DRIVE-IN announce release dates for the reissues of “Acrobatic Tenement” and “Relationship of Command”
Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”