August 28, 2023 Behind the video for “Jaywalker”, with Brooklyn emotive punk rockers GOOD LOOKING FRIENDS
August 26, 2023 Two shades of sludgy, blackened hardcore collide in the newest, crushing split from SIRENS CHANT and CVLT OF GRACE
August 25, 2023 Diving Into the Abyss: a track-by-track exploration of NIXIL’s “From the Wound Spilled Forth Fire”
August 24, 2023 Introducing: new Baltimore hardcore band OUT SICK!, plus bands from Baltimore and DC worth a check
August 23, 2023 POSITIONER’s “Possession Arrow” – a progressive synthesis of emotion and experimentation
July 27, 2023 The unfolding of Post-Metal brilliance: the catharsis of MAIRU’s epic new album “Sol Cultus”
July 25, 2023 Expired Tradition: confronting the elusive American Dream with MORAL POLLUTION’s “Nightmare of Reality”
July 25, 2023 Revisiting the New York Hardcore Scene: an interview with Blackout! Records’ Bill Wilson
July 21, 2023 Artist-to-artist interview: alternative darkwave acts NOW AFTER NOTHING and VIOLET SILHOUETTE
July 20, 2023 10 songs about our superficial society – grungy rockers TWIN MILL discuss inspirations behind their debut single “Drown”
July 19, 2023 Zampler #21: a panoramic glimpse into the screamo scene through the eyes of Zegema Beach Records’ artists
July 18, 2023 Decades of nostalgia collide with white-belt hardcore in PUBLIC PHONE SCHOOL’s video for “The Write to Bear Claws”
July 14, 2023 SNAKELAND delivers dynamic fusion of melodic punk rock moods in ‘Panamerican!’ – track by track commentary
July 12, 2023 Decade of defiance: behind the scenes of Venezia Hardcore Fest’s 10th anniversary celebration
