November 3, 2023 Navigating the tumultuous depths of “Abyss”: discussing new dark post hardcore oeuvre from REGARDING AMBIGUITY
November 3, 2023 EX EVERYTHING: unleashing ‘Slow Change Will Pull Us Apart’ amidst the turmoil of modern existence
November 3, 2023 Istanbul’s blackened screamo ensemble JORNADA DEL MUERTO unveilsnew epic offering “Pinturas Negras”
November 2, 2023 SEERESS returns with ‘Holograms’: a stark ode to societal illusions and the power of awareness
October 31, 2023 CLOSET WITCH premiere new video for “We Met on the Park Boundary Trail”, “Chiaroscuro” album coming up
October 17, 2023 Resuscitation Records readying new vinyl release of PLEAD THE WIDOW’S CAUSE debut album
October 13, 2023 Baltimore chaotic hardcore grinders EUCLID C FINDER unleash new mind-blowing track “Unkle Kracker Is The Matrix”
October 10, 2023 Experimental indie post hardcore act WIMS debuts “57 Seconds” – a portal to the new album “CAN’T LOSE”
October 6, 2023 MMXXIII: a bold foray into different shades of screamo and post hardcore: the new SNAG / COMA REGALIA split breakdown
October 4, 2023 Brooklyn’s indie post hardcore act SHARKSWIMMER drops “Serenity”, new video with Thursday’s Geoff Rickly airing now
October 4, 2023 Turkish dark, atmospheric shoegaze experimentalists hiçamahiç streaming new video for “Düşünürüm”
September 29, 2023 Top heavy releases of 2023 – KINGSEEKER shares their top list, new single “…and I explode”
September 29, 2023 Norwegian melodic metalcore band ATENA unveils evolving sound in new album ‘Subway Anthem’
September 28, 2023 OAKHANDS tangles with the abyss in ‘A Circle with Many Centres’: a melodic confrontation of depression
September 28, 2023 “Down, Down” drifts up: emotive rockers ANXIOUS share new single amidst exhausting tour with THE WONDER YEARS
September 26, 2023 A cacophonous ballet of harmonic discord: Belgian noise rockers YOUFF discuss new album, premiere new video for “Heydays”
