December 1, 2023 BAYLINE – navigating the heartstrings of punk rock – new album “I Choose Love” decomposed
November 24, 2023 Breaking down ‘Source of Suffering’, the newest EP from South Bay’s punk rockers ONE SQUARE MILE
November 24, 2023 From indie to emotive post hardcore: “Nowa Stocznia” by ŻURAWIE unveils a mutli-layered odyssey through personal and social realms
November 24, 2023 Behind the scenes of “Adria” – the multifaceted soundscapes of ZAHN’s latest eclectic album
November 15, 2023 FOR DIFFERENT WAYS: Sardinian melodic hardcore pack unpacks their gritty journey through “Scars”
November 3, 2023 Navigating the tumultuous depths of “Abyss”: discussing new dark post hardcore oeuvre from REGARDING AMBIGUITY
November 3, 2023 In the ethereal soundscapes of ‘Kintsukuroi’ from dreamy, fuzzy rockers HUMAN COLONIES
October 27, 2023 DAMOKLES: “Swing, Pendulum, Swing” – a post hardcore infused sludgy noise rock exploration of existential angst and catharsis
October 27, 2023 High energy post punk’n’rollers SEX BEAT bring in the raw resurgence of danceable punk in “Call Me”
October 27, 2023 ROGUE LIMB’s ‘Actus Reus’: a deep dive into chaotic debut from hardcore / metalcore duo
October 6, 2023 MMXXIII: a bold foray into different shades of screamo and post hardcore: the new SNAG / COMA REGALIA split breakdown
September 27, 2023 Dream pop duo SIX IMPOSSIBLE THINGS unveil “The Physical Impossibility of Death in the Mind of Someone Living”
September 25, 2023 An in-depth look at SETTLING…’s intimate shoegazin’ alt indie debut “You’re Always Alone In The End”
