New Music TEN TON HAMMER release new Spring demo April 16, 2015 1 min read Shortly after the good news about their upcoming European tourt with ROCK BOTTOM, TEN TON HAMMER are back with some new riffs to get you in the destruction derby mood. Can’t wait to hear more from these guys. Photo by Anne Spina Photography. Spring 2015 by Ten Ton HammerSpring 2015 by Ten Ton Hammer Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: hardcorehardcore punkmetallic hardcoreten ton hammer Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in June 5, 2026 Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” June 5, 2026 Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” June 5, 2026 “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album June 5, 2026 THE DHARMA CHAIN unlock a hypnotic journey with “Some Kind of Pure State” Previous Story “Hairball” – new album from emo outsiders NAI HARVEST streaming in full! Next Story DC thrashin’ hardcore act RED DEATH streaming their new album “Permanent Exile” Latest Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album THE DHARMA CHAIN unlock a hypnotic journey with “Some Kind of Pure State” New wave goth rockers VELVET MIST unveil a five-track concept EP about almost losing the light
June 5, 2026 Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”