Logo

Suggestions

  • Latest
  • New Music
  • News Stories
  • Interviews
  • Exclusive Streams
  • Music Videos
  • Live Videos
  • Tours
  • Festivals
  • Latest
  • New Music
  • News Stories
  • Interviews
  • Exclusive Streams
  • Music Videos
  • Live Videos
  • Tours
  • Festivals

Logo

Suggestions

  • Latest
  • New Music
  • News Stories
  • Interviews
  • Exclusive Streams
  • Music Videos
  • Live Videos
  • Tours
  • Festivals
CALEYA band
New Music

CALEYA’s fourth chapter “Lethe” confounds all the stereotypes about post metal being unimaginative

October 4, 2019
1 min read

With their fourth full length, “Lethe”, Hamburg based muscular post metal act CALEYA have immersed themselves in a set of emotional feelings in the fight against forgetting. The title is a reference to a river of the underworld of Greek mythology – who drinks from his water, erases any memory of an earlier life. Lethe urges his listeners to face the vortex of this raging river, finally reaching the shore. To understand more about this epic release, we asked the band’s vocalist Tobias Brand to shed some more light on the lyrical content of “Lethe”, but his poetic soul obviously forbade him to serve an easy explanation :)

Since its inception, CALEYA has performed over 300 concerts, numerous festivals and support shows, including for DEAFHEAVEN, OATHBREAKER, FJORD, PIANOS BECOME THE TEETH, THE HIRSCH EFFEKT, AMENRA, ENVY.

… What remains are only traces
they lead from here
to the house of your memories
every picture, every wall
another turned stone
heavy in your chest …

Lethe album cover

1.) Lawra

This first song describes the direction this new record is leading to. Lyric wise it tells about the longing for nature itself, regarding concrete walls and human conditions in urban places, the fear of losing oneself in this environment and striving to escape it until a point of no return.

2.) Golem

An artificial creature without self awareness or free will. Just an object which is controlled by its maker to follow his/her commands. In context to the song, it’s about personal struggles, self optimization in this day and age, where modern technology/social media lead one to his/her own demise.

CALEYA live

3.) Trostland

A very mean and vicious song in which you’ll have the feeling of being nailed to a wall. A wall of someone’s memories, pictures, images, shadows of losing family, friends and loved ones. An enclave of despair.

4.) Heym

A song about time not spent with a person you hold dear, where flaws, failures and broken promises lead to distance, the struggle of letting go and understanding that nothing in this world could change what has been done.

5.) Freilicht

The insight of a person that is standing on the edge of a waterfront longing for it’s cold embrace before sinking deep. Like lovers entwined on a tangled shore, waiting for the waves of salvation and the endless sleep.

6.) Trophäe

This is the last song on the album and a devastating one too. It’s about loss and failure, about holding the ashes of someones image, where you feel his/her last touch with fingers running through sand. It’s about pure loneliness and the struggle to find a way out of this misery, being isolated with no light at the end of the tunnel.

Share this
  • Facebook
  • Messenger
  • Twitter
  • Whatsapp
  • Reddit
  • Email

Tags:

  • Black Omega Recordings
  • caleya
  • exclusive
  • post metal
  • sludge
  • sludge metal
  • track by track

Karol Kamiński

DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels.
Contact via [email protected]

You might be interested in

ACTIVE BASTARD

ACTIVE BASTARD’s Valentine’s Day debut: misery, murder ballads, and slow self-destruction

BACKCHANNEL

Melodic post hardore band BACKCHANNEL wrap up Toronto’s genre-fluid heavy underground on “Undercurrent”

You might be interested in

ACTIVE BASTARD
February 23, 2026

ACTIVE BASTARD’s Valentine’s Day debut: misery, murder ballads, and slow self-destruction

BACKCHANNEL
February 20, 2026

Melodic post hardore band BACKCHANNEL wrap up Toronto’s genre-fluid heavy underground on “Undercurrent”

Birching
February 20, 2026

Raw black metallers BIRCHING crawl out of Turku’s winter with a bleak demo

flesh creep
February 20, 2026

Fierce hardcore beast FLESH CREEP brings “We Need You To Bleed” back into focus with new reissue

Previous Story

Introducing: screamy, emotive, melodic post hardcore punks LOVELINE

ANTI FLAG by Alexandra Snow
Next Story

Punk rockers ANTI-FLAG share new single “Christian Nationalist”; announce European Tour

Latest

ACTIVE BASTARD

ACTIVE BASTARD’s Valentine’s Day debut: misery, murder ballads, and slow self-destruction

BACKCHANNEL

Melodic post hardore band BACKCHANNEL wrap up Toronto’s genre-fluid heavy underground on “Undercurrent”

Birching

Raw black metallers BIRCHING crawl out of Turku’s winter with a bleak demo

flesh creep

Fierce hardcore beast FLESH CREEP brings “We Need You To Bleed” back into focus with new reissue

Genuine Connection, by Jeannette Moses

GENUINE CONNECTION’s “I Swear” EP turns years of grief, anger, and love into five mellow indie tracks

PLEASE CONSIDER DONATING TO IDIOTEQ

As an independent magazine IDIOTEQ supports DIY ethics and local artists of all kinds. With no-ads policy and mission to give independent artists space they deserve, IDIOTEQ is a place to get inspired, learn more about lesser known artists and their perspective. Reporting on DIY music is our priority.

DONATE via PayPal or SUPPORT via Patreon

IDIOTEQ (pronounce “idiotec”) is a phonetic transcription of the word Idioteque – the act of suddenly going into a crazy, seizure like state. A vision of a society, where people are increasingly more obsessed with pointless technology, selfishness and mindless entertainment than life itself.
  • Latest
  • New Music
  • News Stories
  • Interviews
  • Exclusive Streams
  • Music Videos
  • Live Videos
  • Tours
  • Festivals