It was an icy Friday night in December 2024 at Mulliganโs, a frequent checkpoint for anyone looking to knock back a few cheap beers and a couple of hours of punk rock in Grand Rapids, Michigan. I stood by the back door to the stage with a couple of my girlfriends, waiting for the show to start. My band would be closing that night, and most of the people who had arrived at that point were still at the front of the pub, standing in line at the bar, or chatting with friends at side tables. A group of young men in their twenties approached us and asked me, โDo you know whoโs playing tonight?โ I responded with enthusiasm; I sure did know โ it was RTNR, a catchy, mathy punk band from our hometown in Muskegon, as well as our sassy friends in Something is Waiting from Chicago. Lastly, I added, โMy band Tonguecutter is closing things up.โ
With a surprised look on his face, he said, โWaitโฆYOUR band?โ He took a step back and sized me up for a moment. โLet me guessโฆโ he said. โYouโre the singer.โ My best friend Jenna smirked, and I could tell she wanted to interject, but I let the game go on a bit longer as I nodded my head no. โBass?โ he continued. I shook my head again. โGUITAR??โ he sputtered.
โThat is correct,โ I answered. โOh wow!โ He responded. โThatโs cool.โ There was a beat of silence as he cocked his head to the side. I knew what was coming next. It was a question I had heard for 30 years.
โDo you play lead?โ
Now, itโs relevant to say that this line of questioning was one I was exceedingly familiar with. I had been asked this same question dozens of times over my career as a woman lead guitarist, particularly in heavy punk or hardcore bands. โDo you play leads?โ or โDo you play lead?โ or โDo you write your own riffs?โ or even โDo you play sweeps or tap, though?โ Additionally, I had been checked at the back door on many occasions and informed there were โno plus ones or girlfriendsโ for the evening, as I was loading in my full stack and preparing to perform. I had many soundmen offer to โset my gear upโ for me, or even tune my instrument, which makes me laugh. I canโt imagine this happening to a man!

The query was so common that, the very evening that I was hearing it once more at Mulliganโs, my band was performing a song from our new album that I had written entitledโyou guessed itโ โDo you play leads?โ The piece was a long time comingโthree decades of explaining my position, defending my gear choices, and having my musical sensibilities under the lens of extreme critique. The song didnโt pose a question; instead, it was the tale of a lifetime of microgressions.
Do You Play Leads (lyric excerpt)
I donโt care
About your sweeps and bends, and little magic tricksโฆ.
I came to play, pushing it down
Bury the thought, settle down
At 46, after being in bands for 33 years and performing regularly, you could say that Iโve developed a thick skin for this brand of interrogation. It bothers me less and less, and I focus instead on finding it funny and ironic, particularly when I know Iโll be singing about it in an hour or so to the person who asked. Yet, it illustrates how the constant irritating scrape of 80-grit sandpaper continuously smooths down the sharp points of so many women. Though a recent 2025 study by Fender found that half of aspiring guitarists are women, the number of lead guitarists in regularly performing bands is much lower, and it doesnโt take much to arrive to that conclusion on your own, particularly if you happen to be the only woman in the room. At the same time, Iโve seen a change in the scene for the better since my riot grrrl days in the nineties. Back then, even our progressive fight was problematic, steeped in third-wave feminism, and it was often judgmental and combative to the other women we met (even rarely) along the way. Thanks, patriarchy.
My advice to the other women players out there who arenโt taken seriously or afforded the same respect as their male counterparts is to ignore the chatter, to a certain point. Though it isnโt acceptable in the least when youโre mistreated by a sexist soundman or worse yet, harassed by a creepy show promoter, there will be many โmildโ incidents that will reek of โDo you play leads?โ energy. Iโve taken quiet joy in showing, not telling, and allowing that surprise to linger. I’m okay with awkward silence.ย
Do no harm, as they say. But take no shit. And remember that you don’t need permission to take the lead.
Chantal Roeske plays guitar (yes, lead) and fronts the riffy, mathy grunge 3-piece Tonguecutter from Muskegon, MI. Check out their latest full-length album, Minnow, released on Learning Curve Records in May of 2025.


