Please go to your post editor > Post Settings > Post Formats tab below your editor to enter video URL. Live Videos EYEHATEGOD / SHITSTORM / ORBWEAVER live in Miami, March 2012 April 9, 2012 1 min read EYEHATEGOD, SHITSTORM and ORBWEAVER performed live at Churchill’s in Miami, FL on March 31, 2012. SHITSTORM: EYEHATEGOD: ORBWEAVER: Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: doom metaleyehategodgrindcoreorbweaverpowerviolenceshitstormsludge metal Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container April 28, 2026 Still Doing It: Micro-Tours in Your Forties April 23, 2026 Scott Vogel and TERROR mark album ten with “Still Suffer” and new documentary March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders Previous Story WITCH CULT / FAMILY MAN / BEARTRAP / PIG CONTROL live in Wroclaw, March 2012 Next Story Recall: CRO-MAGS live in Bochum, 1991 Latest DIMMING take New York hardcore towards doom, death metal and a slower crawl with “Dirtnap” Instrumental post rockers The Mantra Discord trace loss, collaboration and a heavier direction on “Collecting Sentiments of a Derailed Past” Deathcore act BREC DESTROYER names what grief becomes on “Griefeater” Goodbyes: Heavier Than Bricks – Remembering Jennifer Finch from L7 ANTILLECTUAL look back on 25 years of touring, politics and DIY work
May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container
March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders
Instrumental post rockers The Mantra Discord trace loss, collaboration and a heavier direction on “Collecting Sentiments of a Derailed Past”
