Please go to your post editor > Post Settings > Post Formats tab below your editor to enter video URL. Live Videos HARDSIDE / BORN LOW live in Jacksonville, March 2012 [UPDATE] March 25, 2012 1 min read BORN LOW and HARDSIDE‘s full set from the Burro Bar in Jacksonville, FL, March 13, 2012 can be seen below. HARDSIDE: BORN LOW: PUBLISHED on March 23, 2012. UPDATED on March 25, 2012 – BORN LOW added. Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: born lowhardcorehardside Karol Kamiลski DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container April 28, 2026 Still Doing It: Micro-Tours in Your Forties April 23, 2026 Scott Vogel and TERROR mark album ten with “Still Suffer” and new documentary March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders Previous Story Recall: DARK ANGEL live in London, 1989 Next Story THE CARRIER Farewell European tour videos [UPDATE] Latest Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album THE DHARMA CHAIN unlock a hypnotic journey with “Some Kind of Pure State” New wave goth rockers VELVET MIST unveil a five-track concept EP about almost losing the light
May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container
March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders
Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”