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Kithbah

June 25, 2026

Generator shows, lost venues: KITHBAH and Underneath on Pittsburgh hardcore in 2026

HONDUH DAZE

June 24, 2026

HONDUH DAZE turn internet-age noise into punk philosophy on “Data Plan”

DEAFKIDS

June 24, 2026

DEAFKIDS’ Marian Sarine on living inside a rhythm, and the rivers running through CICATRIZES DO FUTURO

hubris

June 23, 2026

hubris. announce European tour and share “Death”, the song that started “White Shores”

Omoiyari

June 19, 2026

OMOIYARI breaks down “The View From Halfway Down” and the PS2 case design built from a Marc Ecko book

Loversteeth by John Scarlett

June 18, 2026

LOVERSTEETH come in swinging on “Closer to the Sun”, “Floral Violence” coming up!

OR DOES IT EXPLODE

June 18, 2026

OR DOES IT EXPLODE catch the panic of the present, track American authoritarianism across “Realities Disguised as Symbols”

Gaffer

June 17, 2026

Richmond emo post hardcore teens GAFFER sign to Ephyra, talk “Money” and the Richmond chain that made them

Eretia

June 17, 2026

Cantabria post metal / post hardcore band ERETIA “The Autumn of Civilization,” a massive 14-label co-release built to leave a mark

Suburban Alienation, photo by Drew Wadden

June 17, 2026

WTF is up Kelowna?

Solitone

June 17, 2026

Bordeaux screamo band SOLITONE return after eight years with a politically sharpened new EP “Le champ des possibles”

Trainfantome by Amandine Baudet

June 16, 2026

TRAINFANTOME turn shoegaze grimy on “Constant Farewells”

Stabber

June 16, 2026

STABBER, Oslo hardcore punks, return with ‘EP II’ and a guide to their city’s scene

Glam

June 15, 2026

Gord Taylor builds “Made in Hell” from distance, old lessons, and bagpipes without Scotland attached

Boi Toi by William Mawdsley

June 12, 2026

BOI TOI plays with post post-hardcore on “That’s Boss”, super adventurous, crazy 5-tracker worth your time

HOLD ME TIGHT

June 12, 2026

HOLD ME TIGHT turn inward cruelty into rebirth on biting new single “Silence Before Rebirth”, feat. DESOLATED!

Meltt, by Zachary Vague

June 12, 2026

MELTT turn soft psych-pop into a warm map of memory on “Pathways”

hairpin

June 12, 2026

hairpin pair Angel Du$t-style power pop with hardcore intensity on “Framing”

FOREIGN FILM by Eric Rivera

June 12, 2026

FOREIGN FILM, the Sacramento mellow post rock band formed by Will Haven members, walk through every track on “A Love Letter”

Aeryn and Anais

June 11, 2026

Endless Fest gathers 26 bands across three generations of NYC hardcore to benefit ABC No Rio

Side Over live, by Eugene Lucas

June 11, 2026

After three bandmates passed and 30 years of silence, melodic hardcore band SIDE OVER finish the album they couldn’t make in 1993

Million Moons

June 11, 2026

MILLION MOONS walk through “You Be Good, I Love You” track by track

All Coasted

June 10, 2026

After ten years chasing NOFX, ALL COASTED deliver their darkest record yet on “Time For Disruption”

melting

June 10, 2026

MELTING want extreme metal to feel frightening again on “A Pathetic Excuse For A Life”

Agarwaen, by Rocktografia

June 10, 2026

Asylum Metal: AGARWAEN on “The Murder Trend, theater school discipline, blood bag disasters, and 15 clowns in the crowd

Ben_Aggregati_Punk

June 10, 2026

Italian punk veteran Paolo Palmacci returns with “No Capitulation”, a compilation of seven imaginary bands fronted by 1980s scene contributors

Man Looking Man

June 10, 2026

MAN LOOKING MAN pull from Mussorgsky and Botch on their self-titled debut

Volynka live

June 9, 2026

Staycation: VOLYNKA discuss Fugazi, Bierce’s Devil’s Dictionary, and a record about confinement that grew out of post-lockdown years in Athens

Mermaid Island by Jeff Antons

June 9, 2026

LA’s MERMAID ISLAND turn punk rock survival mode into a self-titled debut

Gen and the Degenerates

June 9, 2026

Like boys like girls like boys like girls’: an essay by Genevieve Glynn-Reeves of GEN AND THE DEGENERATES

Lost In Kyiv

June 8, 2026

The French post-metallers LOST IN KYIV discuss the fifth album, new drummer, a Jung sample, and more

OMIT ALL

June 5, 2026

Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”

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