May 23, 2023 The epic echoes of grief”: inside “Rejecting Obliteration” by BLINDFOLDED AND LED TO THE WOODS
May 23, 2023 Dark doom jazz Duo Mademoiselle Plume Rouge explores the shadowy underbelly of “Horror Politics”
May 23, 2023 Masked, nu metal infused grim death metallers DIRE THORNS discuss debut EP “State of Sikosis”
May 22, 2023 Croatian post hardcore band DEAD DOG SUMMER release vinyl edition of memorable debut album “A Place of Someday”
May 22, 2023 “We See You”: post metal act BREATHS premieres stirring anthem for the unseen, feat. Matt McGachy of Cryptopsy
May 21, 2023 Swedish crusty metal punks ADRESTIA premiere new video “Ticking Bombs”, feat. T. Jonsson (Anti Cimex)
May 19, 2023 Nu Metal act SILLY GOOSE drops ‘Rap Rock Jesus’, following unexpected performance at… Waffle House
May 19, 2023 Experimental act FILM 2 offers streaming opportunity linked to lunar cycles – enter the “Sorge”
May 19, 2023 “Slogan Machine” – GUMM unveil 22-minute blend of primal hardcore, unhinged punk, and post-hardcore
May 19, 2023 Shoegazin’ rockers RIDGEWAY premiere “Winding”, share top alternative albums of the year
May 19, 2023 The dawn of “The End of Everything”: an exclusive look at OMEN ASTRA’s massive debut album
May 19, 2023 FINTE balance between chaos and harmony, brutality and beauty on new album “Wie das Endliche Treibt”
May 19, 2023 CATHEDRAL BELLS recontextualize dream pop, post punk and shoegaze into their own style on “Everything At Once”
