May 31, 2023 Oslo experimental psych rock duo BURNING MOTHERFUCKERS premieres “No Teeth”, discusses artwork, new album
May 30, 2023 California hardcore / thrash SPLIT IMAGE premieres lyric video for “Demon Hunter”, unleashes new Lineup
May 30, 2023 “Strip” – Atlanta metallic hardcore band HUBRIS CANNON premiere new song thourgh a harsh live performance video
May 30, 2023 Legendary Oxford rockers SWERVEDRIVER revisit their roots to unearth debut EP – an interview
May 25, 2023 Unveiling the Surreal: trajedesaliva and Maud the Moth collaborate on “Bordando el manto terrestre”
May 22, 2023 “We See You”: post metal act BREATHS premieres stirring anthem for the unseen, feat. Matt McGachy of Cryptopsy
May 21, 2023 Swedish crusty metal punks ADRESTIA premiere new video “Ticking Bombs”, feat. T. Jonsson (Anti Cimex)
May 19, 2023 The dawn of “The End of Everything”: an exclusive look at OMEN ASTRA’s massive debut album
May 18, 2023 GRAF ORLOCK’s top 5 dystopian films reflecting the contemporary malaise in “End Credits”
May 18, 2023 VANTABLACK WARSHIP discuss “Last of the Hardmouthed Poets”, premiere new lyric video for “Gone”
May 17, 2023 “Who Deserves Balloons and Medals?” – a vivid journey through the eclectic world of MAD MEG
May 17, 2023 DAMIEN DONE unveils an eclectic blend of post punk, gothic rock, new wave with great new album “Total Power”
May 16, 2023 Into the twisted realm by enigmatic Danish project MARTRE – enter the nightmare of “Ofelia”
May 15, 2023 Finnish metalcore / hardcore pack HEATHEN HEARTS premiere new EP “No Light Left to Chase”
May 12, 2023 Corporate Sponsored Sunday School: Walker and Wylde’s deconstructive journey fueled by hope