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The Carolyn

May 16, 2025

Emotive punk rockers THE CAROLYN mark their first Canadian show with “Nosebleeds,” a song about cycles we struggle to break

Operation Ivy

May 16, 2025

OPERATION IVY’s “Hectic” finally gets its first official cassette release via Tapehead City and Hellcat Records

Black Autumn

May 12, 2025

BLACK AUTUMN looks back on 30 years of solitude, tape hiss, and evolving isolationist black metal

Sex Scenes

May 9, 2025

SEX SCENES capture exhaustion, frustration, and catharsis on their new LP “Everything Makes Me Sick”

HARD STARE

May 9, 2025

HARD STARE unleash new tracks, Crossover Playlists with bands to watch!

Morningviews

May 9, 2025

Emo screamo band MORNINGVIEWS release “Anedonia” on Liberation Day and nothing feels better or worse for it

LLEWELYN

May 8, 2025

LLEWELYN’s “Borrowed Bones” puts fresh teeth on the old wound

GAS LIT

May 8, 2025

Raw screamo / emoviolence act GAS LIT punches with a chaotic debut demo

Blood Estate

May 8, 2025

BLOOD ESTATE returns with ‘Scream’, a simple beauty that hides something darker underneath

Namebearer

May 7, 2025

A planet dies and survivors crawl through its bones: NAMEBEARER’s Industries of the Fading Sun confronts spiritual failure and ecological collapse

PERFECT SKY by @concert_shots_by_nat

May 7, 2025

Vienna hardcore band PERFECT SKY return with “Hunting Demons” video, reflect on two decades of change, struggle, & perseverance

Seurat

May 7, 2025

Finnish hardcore punk SEURAT return with new political album about collapse, care, and the possibilities of flesh

Harms Way

May 6, 2025

HARM’S WAY release two-song EP “Other World”

time x heist

May 6, 2025

Top youth crew acts today: TIME x HEIST share their picks

Daryl Gussin

May 6, 2025

A book born out of rejection and the need to survive: Daryl Gussin (Razorcake fanzine) releases A Year in Submission

GRADIENCE

May 6, 2025

GRADIENCE signs to Metal Blade Records, releases another interesting track, “Lucid”

ANGST

May 5, 2025

An abandoned seaport, a partcaster guitar, and a burned-out generation: a story of St. Petersburg emo screamo trio ANGST

XIAO

May 5, 2025

XIAO’s “Control” tears into politics, labor, and the DIY scene they’ve grown up in

Get Well

May 4, 2025

GET WELL’s new angular EP takes on brutality, despair, and the urge to resist

For Your Health by Stone Fenk

May 2, 2025

FOR YOUR HEALTH share “Flowers For The Worst Of Them,” second track from This Bitter Garden

xapothecaryx

May 2, 2025

Vegan straight edge band xapothecaryx confronts state violence, animal experimentation, and addiction with “The Machine Demands Blood”

Carving Void

May 2, 2025

CARVING VOID returns with “Suffocate All Life”, a death metal and metallic hardcore assault confronting violence, fascism, and systemic control

GALLERY

May 2, 2025

GALLERY release “Rolling Stop”, a debut EP rooted in shoegaze, angular dirty rock, slowcore, and St. John’s history

BIRTH DEFECTS by Josh Sisk

May 2, 2025

BIRTH (DEFECTS) share second single “Despotism” from long-shelved LP ‘Deceiver / Mirror’

THE NUMBER 12

May 1, 2025

THE NUMBER TWELVE LOOKS LIKE YOU explore internal chaos and paralysis on “Indeciso”

Wayfinder by The Last Post

May 1, 2025

THE LAST POST’s new EP “Wayfinder” reflects on love, grief, and mental health through nostalgic emo-pop arrangements

Dead History

May 1, 2025

Emotive rockers DEAD HISTORY premiere “Good Buddy” ahead of new LP Departures

Shuggah

May 1, 2025

Amas Veritas introduces SHUGGAH’s post-rock vision shaped by grief, fire rituals, and South African landscapes

TURNSTILE by Alexis Gross

April 30, 2025

TURNSTILE share double video for “Seein’ Stars” and “Birds” ahead of new album Never Enough, out June 6

TRAVØLTA/ WE SLEEP

April 30, 2025

TRAVØLTA reunites powerviolence and protest on new split, confronts apathy, nationalism, and commodified DIY across a fractured scene

New Found Glory

April 30, 2025

NEW FOUND GLORY signs to Pure Noise Records and releases new single “100%”

Photo by Ben Devenezia

April 30, 2025

Where the Kids Still Scream: a punk documentary asks if the scene in New York is still alive—or just a good story we tell ourselves

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