October 20, 2026 Utrecht post-metal band ONTAARD piece together years of trauma and shame on “A Monster Named Shame”
October 19, 2026 San Antonio post-punks NOCTURNAL PROSE connect Amygdala’s history, political anger and mutual aid on “Western Interests”
October 19, 2026 Stockholm’s GOD MOTHER confront AI slop, human limits and their own hardcore history on “Köttvärld”
October 19, 2026 Nagoya noise-pop band Echo Servants turn teenage club influences into “danceable noise” on debut single “Snow & Honey”
October 19, 2026 Warsaw’s TANIO FEST brings six Polish emo and DIY bands together after years of shared shows, tours and split records
October 19, 2026 UK emo alt rockers GUILLOTINE return after six years with “A Lesser Key,” a record designed to fall apart as you listen
October 18, 2026 New York art-rock outsiders POEM ROCKET on “Felix Culpa”, lost recordings and finding their way back after 19 years
October 18, 2026 Boston post-punks COLD EXPECTATIONS take “Waiting for the Pills to Take Effect” from an old Boston punk tape into 2026
October 18, 2026 RUEN turn Portugal’s stolen common lands and the fight for Barroso into a screamo, crust and folk record
October 18, 2026 Ray Harkins finds his own hardcore history inside the “100 Words or Less” interview archive
October 18, 2026 Jovi Skyler on the isolation and second thoughts behind his Jack Endino mastered DIY grunge album “Unpopular”
October 16, 2026 Swiss noise-kraut trio FILM 2 take on streaming culture with their own strange listening rule
October 16, 2026 Jazz, soul, country and homemade electronics: Christian Molenaar premieres the adventurous new album “Jeremiah XVII”
October 15, 2026 German screamo band MISERE premiere “Mistral, with new EP taking aim at a past that never existed
October 15, 2026 Chicago synth-pop trio FRENCH INHALER bring DIY dancer Charles Joseph Smith into their new “Haunt You” video
