June 1, 2026 SINECURES made “Brace” for two bottles of tequila, fuelled by a professor’s unease with big tech
June 1, 2026 DEARHEART trace the later stages of grief on their second album “Until All the Light in Us Is Given Up”
June 1, 2026 From AI Demo to Visual Release: Best Suno Music Video Generator Tools for Independent Artists
May 29, 2026 THROWNNESS ulock “Marrow Part II”, a place for the dead, somewhere between Neurosis and Dylan Thomas
May 29, 2026 PROMISE premiere “Chlorine”, discuss catharsis, control, and Italy’s growing hardcore scene
May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container
May 28, 2026 HEALING WOUND talk through eight songs of depression, dissociation and forgiveness on “Bodies of Heavenly Violence”
May 28, 2026 Cleveland’s RITUAL BRONZE close their debut with “Tortured Artist,” a song about a life spent in bands
May 27, 2026 From a secondary school music department poster to a 15,000-cap arena in Leipzig: Adam Jones and Dylan Plenty on a decade-plus of COBER MOUTH
May 27, 2026 A STATIC LULLABY look back at their 2003 debut, touring, the new era, and the live version of “…And Don’t Forget To Breathe”
May 27, 2026 “Wszystko robimy razem”: wracaj, bo ciemno and milion lat przestępnych turn 17 gigs of friendship into a split EP
