April 14, 2026 THE ARRIVALS break down “Payload,” a Chicago return record with colonization, class war, and no patience for bullshit
April 14, 2026 From Richmond to Chicago, via Albini’s shadow: “The Four Flags” by With Patience, Orlock, IUIO and SoundTracks captures a tight-knit scene in one room
April 14, 2026 IF IT KILLS YOU return with “Arrow Eye” after shelving Albini-recorded sessions and lineup changes
April 14, 2026 From Tokyo flyers to analog tape fights: inside Zeni Geva and Steve Albini’s Superunit years
April 13, 2026 Dream pop / slowcore wizards CATHEDRAL BELLS stretch time and texture on “Parallel Dreams”
April 13, 2026 SPRING HOUSE pull Dischord’s elasticity into a Detroit debut that treats hardcore as open terrain
April 13, 2026 London’s SHOOTING DAGGERS link up with Dennis Lyxzén, turn friendship, activism, and motion into “The Real Life Thing”
April 13, 2026 Swedish post-punk hardcore band INVISIBLE WOUNDS confront addiction, loss, and recovery on “Dark Visions”
April 10, 2026 Ambient post rockers PODŁOGA turn everyday life into slow-moving instrumentals on new five-track release
April 10, 2026 Cobourg hardcore muscle MAXIMUM FORCE lock into late-80s hardcore blueprint on “Physical Therapy Records” demo
April 10, 2026 Singapore’s shoegazin’ mellow act GNAW bends alt-rock instinct through digital distortion on “Inside a Machine That’s Glistening”
