September 24, 2026 Melodic metalcore act VAELTHUNDER turn a decade of old riffs, disappearing networks and internet fatigue into “Expose / Exist”
September 24, 2026 Gooseberry premiere “Gnash” and explain how “Simple Sucker” found its perfect fool
September 24, 2026 Illinois dark post-punk band THE HOUSE FLIES take us through old photographs, country churches and disappearing places on “Lions and Ore”
September 22, 2026 “Zero / Uno”: a two-song dialogue between San José shoegaze/post-hardcore band Adiós Cometa and Tokyo screamo band Cissné make
September 22, 2026 Katowice emo/shoegaze trio przeprosiny turn dream loss into captivating debut album “femme”
September 21, 2026 Madrid Latin hardcore band FIRSTLINE carry migration, family memory and life between countries into wild wild new EP “TRIBU”
September 21, 2026 DEVIL CITY CULT carry years of Madrid hardcore and metal history into “Murderous Retribution”
September 21, 2026 Experimental noise rockers WIKI bring their own rules for improvisation and recording into adventurous debut EP [sun]
September 20, 2026 Canadian experimental duo THE NAWROCKIS made “Kapusta” from live improvisation, family history and nearly four decades of Polish connections
September 19, 2026 TheUrbanFarmer talks “Psyop Of Unknowns”, media manipulation and making music with AI
September 18, 2026 Melbourne alt-rock band SOCIETY OF BEGGARS ask “How much is enough?” inside the consumerist doom-loop of “I Want I Want”
September 18, 2026 MY DEATH DIARY lost the masters, kept the songs, and found their way back into Jakarta emo
September 18, 2026 THE MORMONS finally record a 28-year-old song on “Rats”, alongside ghosts, dead machines and failing bodies
September 18, 2026 Emoviolent screamo band WELLNESS push metallic hardcore through black-metal melody on a record built for physical limits
September 17, 2026 HOLY PINTO connect love, commitment and Milwaukee life across the indie-pop of “Wedding Season”
