April 1, 2026 On “Dance Music,” experimental bedroom act CELEBRATING chases peace through skramz, noise rock, old gear, and an imagined late-’90s past
April 1, 2026 Pop punk rockers HARK! A SHARK! break a decade of silence with “Sirens” and the coming EP “Very Nice, Very Evil”
April 1, 2026 ANTI-CORPOS on 20 years of queer feminist noise punk, Berlin’s coldness, and refusing silence
April 1, 2026 Montreal teenagers GENERAL CHAOS push harder on “Busted” and map out the anger behind “Can’t Please ’Em All”
April 1, 2026 CHEVREUIL rebuild their magnetic system on “Ordrus” ahead of comeback double album “Stadium”
March 31, 2026 FOOTBALL, ETC. look back on “The Draft,” 15 years later, built around James Vehslage’s memory
March 31, 2026 Control without overthinking – RICKY’s slacker rock isn’t laziness on “What’s The Point”
March 31, 2026 ESCALATE strikes back with “The Cry of Nature,” a strike against speciesism, war, and human arrogance
March 31, 2026 10 years of “Cult”: THE CAULFIELD CULT turned doubt, burnout and self-disgust into something lasting
March 31, 2026 Weird alt post punk act ROYAL COMMISSION trace the making of “Dossier #1,” from disco accidents to Gospel noise and summer blackouts
March 30, 2026 Finnish screamo pioneers EIGHT return with “Kuinka Löydän Luoksesi” and a full VR experience
