Please go to your post editor > Post Settings > Post Formats tab below your editor to enter video URL. Live Videos Recall: ALTERCATION live in New York, 1987 December 9, 2012 1 min read ALTERCATION performed live at the famous CBGB club in New York on June 7, 1987. Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: altercationhardcorehardcore punkpunk rock Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container April 28, 2026 Still Doing It: Micro-Tours in Your Forties April 23, 2026 Scott Vogel and TERROR mark album ten with “Still Suffer” and new documentary March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders Previous Story CODE ORANGE KIDS / RECREANT / GAZA / ESCAPIST / FULL OF HELL live in Tampa, November 2012 Next Story Recall: CARCASS live in Holland, 1990 Latest The French post-metallers LOST IN KYIV discuss the fifth album, new drummer, a Jung sample, and more Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album THE DHARMA CHAIN unlock a hypnotic journey with “Some Kind of Pure State”
May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container
March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders
Previous Story CODE ORANGE KIDS / RECREANT / GAZA / ESCAPIST / FULL OF HELL live in Tampa, November 2012
Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
